The Elf 2x8 has a nice round tone, whereas the TC BC208 had a bit more punch and mid focus. It still has a nice bass response, just not as full as the Elfi, too, am dying to read your comparison of the TE2x8 and the TCBC208!
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The Elf 2x8 has a nice round tone, whereas the TC BC208 had a bit more punch and mid focus. It still has a nice bass response, just not as full as the Elfi, too, am dying to read your comparison of the TE2x8 and the TCBC208!
The Elf 2x8 has a nice round tone, whereas the TC BC208 had a bit more punch and mid focus. It still has a nice bass response, just not as full as the ElfHow does the tc 208 compare to the trace Elliot 208?
First entry for me in the Dinky Club is a brand new shot of my least dinky qualifying amp. Ampeg BA112 v2 combo with 75w and a 112. I am a tube snob, but when the weather calls for a torrential rainstorm at any time, and especially if I'm playing outside, this amp usually gets the call. Goes plenty loud enough onstage for any band I've played with in the last 5 years, and I can carry smaller rooms with it if I crank the bass knob a bit. Biggest I've done is 300, and while we weren't Metallica, we were playing dance tunes with a horn section and we weren't quiet. Tonight's gig was smaller all around. Fun little band with guitar, bass, drums and harmonica playing mostly light rock with a little country and blues. Carrying the room was a piece of cake.
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Somewhere on my home computer there is a picture of my SWR Workingman10" on stage with Dave Brubeck. It was miked/ di into the house sound system with the great Michael Moore playing upright.[/QUOTE
That was my combo of choice for years. Then I tried a Genz Benz Shuttle 3.0-10T. Now it’s a Genzler MG350 Combo.
You are a lot more picky about grille cloth than I am. It is just fine for me. My issue is I have gotten a Heritage cab and a PF cab brand new that had the tolex torn right out of the box and also holes in the wood not filled in with wood filler before the tolex is put on and left a hole under the tolex that’s visible. To me for what they cost that is shoddy workmanship and quality control. But I have also gotten that from Hartke so apparently these companies think that’s acceptable. I have returned some for replacement. Sorry to get off topic.You can't see the top cabinet in the pic below? Perhaps you have a "crooked grille cloth" filter engaged so that the image is hidden from you?
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Nope!Ive used my EAW floor wedge as my onstage "amp" here and there....Its 500w but a very small package with a 12" + driver....does that count?
Last month I got a call from a drummer buddy to do a guitar trio at a local street festival. I said how loud/big should I go? He said, just bring a little combo I’ll put you in the sub. So I brought a trusty old grey/silver Roland Bass Cube 40 and ran him a line out. I’ll be darned if it didn’t sound pretty great. I stood in front of the Cube but the Sub was on the other side of or setup. It did sound good to me, but both the guys commented on how much really they dug it.
Nice little amp, but not dinky.I read the rules and this post would seem to violate Jimmy's rule #1, but maybe he will give me a pass on this one. This rig has never been gigged but has been in some fairly loud rehearsals that led to real gigs. I'm kind of proud of it. And it is somewhat dinky. Rated at 200 watts. But they're wimpy watts (see my opening sentence).Say hello to my Gallien-Krueger MB 112-II. So insignificant that it's not listed in my gear profile. Bought it primarily because it's the perfect height for me to sit on whilst I practice and its top handle is recessed so my bootie suffers no harm. It may be over 100 watts but at least I have some sort of back story.
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M. M.
Hmmm.Some of you guys must have it made. I wish I had so few real problems that I could lie awake at night, worrying about whether my grill cloth was straight enough.
Seriously...
Probably not similar to what you are describing but I know a top pro who uses a Yorkville small block 12 combo. He’s first call for everything here in Vancouver. Just shows that if you have the chops, can read anything and have played with everybody important, you don’t need a boutique or expensive amp. I get the vibe he does not care about amps, he cares about chops.Anyone here using any of the old Yorkville Bloc amps?
I had a Bloc80B in high-school that we used to just toss down the stairs to get it to the cafa-gymna-torium... 80 real watts of pant-flapping, music teacher hating, indistinct sound.
The big one is 300 Watts, the little one is a GK MB200 feeding a DIY 8"er. This was actually in a rehearsal space. The first time we practiced there, the big amp worked fine. Second time, it was not working, so I brought the little amp in from my car. It was with the big-band, so the volume was the same in either case. As I was packing up, I realized that the big amp wasn't working because I had not noticed the "standby" switch.What is the head's wattage?