Recent content by Rasmusraye

Getting ready to pull the trigger and joining the Barefaced club, but I can’t decide which setup to go with. Searching for the best solution with sound, filling the room and portability in mind. Price is also a factor, but to a lesser extent. My current thoughts is that I want something...

Really looking into buying a AT112 ACT for easy transportation to smaller venues, so I don’t have to carry my Vanderkley 212 + Aguilar AG700 around. Has anyone tried this with a noble/ Caveman BP1 in front? If so what were your experiences?

Guess i will have to try i out myself. Fortunately i got a pair of TI flats in my drawer! How are the tapes?

Just added this beautiful new VF4-PJ (my first F-bass!) to the family! I’d been on the hunt for a solid P-style bass to round out my collection, and as soon as I came across this model, I knew I had to give it a shot. The playability is incredible, and the tone is just as impressive, I couldn’t...

Hey all, looking to buy a Fullerton AVRI and found this for sale. The seller says its one of the last to leave the factory in 84. Does this check the "Fullerton marks"? Serial number is: V0108xx Pictures attached but sadly non of the neck taken off. Hope you can help out! Best wishes

Hey lowenders. Just stumbled across a video of bassist Dario Deidda playing a standard with Kurt Rosenwinkel. Dario is playing a bass of a brand i can't recognize but it sounds amazing, very much towards the sound of an upright. Hope one of you can help out identifying it. Best Regards...

What Mr. Ace said! I was recently thrown head first into my first "learn these 15 songs in 4 days, no rehearsals and be ready to play on the count of 4" gig for lack of better term. The rhythm section consisted of me on bass, a drummer and keys player both of whom had 40+ years of experience on...

Hello Low-enders! In a few months time i will be auditioning for a "pre college of music school" (not sure what they are called in English to be fair) and a part of the audition is of cause performing a few prepared pieces. This is where i´m in serious need for some inspiration.. I´m pretty...

Anthony Jackson. Has been playing for Hiromi in her trio project, Michel Camilio, Chaka Khan and tons of other amazing artists. I would consider the genre as Jazz/R&B/Soul. You could also check out Hadrien Feraud who´s an absolute monster. Look him up on youtube, he is/has been playing with...

Thank you guys for all the answers! They are all very much appreciated. It´s starting to feel (and sound) right. And thank you Feral Feline, TB seems like a great community so far!

The problem is that our teacher wants us to play the song in 180 bpm wheres the original song is recorded 75-80 bpm or something like that so its kinda hard to get a feel for the song. I guess based on the fact that we normally play the song in 180 bpm the choros with double time feel must be...

Hmm on the sheet music i recieved it goes like i mentioned before:1 bar of Gm9, 1 bar of C7b9, 2 bars of Fmaj9, 2 bars of Eb13 and 2 bars of D7b9. Strangely enough i cant find any similar sheet music anywhere. Its the Cole Porter version but i cant find any similar.

Oh thanks for clarifying that! Then it must be double time feel. I could imagine that caused some confusion.

The choros goes like this: 1 bar of Gm9, 1 bar of C7b9, 2 bars of Fmaj9, 2 bars of Eb13 and 2 bars of D7b9.

Okay thanks for the fast answer. Now i encountered a new problem, the song (What is this thing called love) stays one the same chord for 2 bars twice in the choros. That means 16 notes. I feel thats alot of notes to play while still keeping it interessting any tips for that?