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I have slowly been trying to convince my (cover band) bandmates to make the switch from wedges to in-ears for a while now and my drummer finally agreed to it. For the most part he's a decent enough player, but there were a few tunes where we wouldn't lock in, tempo would inexplicably change...

Does anyone have any experience with these that can speak to build/quality? I'm looking to get one of these, specifically a splitter snake, in the next couple of weeks.

Anyone dealing with a bunch of bars/venues in their area closing down? Seems like it’s happening to a lot of us. Just got word today that a scheduled gig was canceled due to a closing. 2nd time it’s happened this year, and now my calendar is, unfortunately, a lot more open.

Which have you found to be the most successful option: booking your own gigs, or going with a 3rd party promoter/booking agency? Success can be defined as both quality of the gig and/or $profit$. My band's first gig is this Friday evening. As stoked as I am, the promoter seems to be a...

This is my first post on here, but I'd like to hear people's opinions on this: I mix FOH and in-ears for a cover band about once a month. I pack up gear, load-in, set up, mix show, load out, unpack. I get compensated 20% of what the band makes that night. For a while, they were using some...