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for that price, I'd be willing to give it a whirl.

the bongo 6 is my favorite 6. it just looks right with the curves and design. beautiful bass!

he is a member on here, but I don't believe he is making his clones anymore. as long as LHZ is still going, I don't mind!

USA Barts are incredible. I don't think you will be disappointed.

I've got one in my emerald green euro. Agree, it's a great pre.

I love the ToneX. It has some delay/modulation, but I haven't used that as I haven't found a need. But the amp models are really great. There is a user library on their software that has a bunch of really good captures as well. I use the airstep TX and it makes changing presets much easier.

I don't use a lot of effects, mostly just amp/cab sim with tone shaping and compression. I love the ToneX one for that.

amps first, then onto basses that aren't spector or ebmm. and after waiting months with none of them selling, I would pull the ads and keep them.

That is a beauty, and that's coming from a regular fender hater. Play it in good health!

I'm really craving some Mapo Tofu, extra spicy

the saddest thing to me about G&L was uniqueness being lost. They used their own pickups, hardware, and electronics. It's gone now and the chances of something filling that specific niche is slim-to-none.

that bass looks stunning. In my opinion, the bass is just too solid/rigid overall. full hollow basses respond differently when they are built in the same was as an acoustic.

The EMG HB pickups are incredible. if you don't mind active pickups, they sound great. They are in the bass in my profile pic. look up old school steinberger sound examples, as they use the same.

I never cheer for a divorce, but T-Swift needs to get butt-hurt and go after ticket master again so they can get these ticket prices under control.

But...but...but....I thought tone was in the fingers?

Get the John Mayer trio live album. Listen to Pino's lines. He pretty much plays the perfect part the entire concert. Sometimes he is pretty busy, other times it's roots with tasteful parts thrown in. It doesn't have to be boring, but sometimes it will be. I played tuba in concert band. Not...

I do. I'm mostly exercising ideas out of boredom. Bass sounds great, but bridge solo is useless. That being said, I never play bridge solo.

I have a set of jcs in the NS2000/5. The bridge is pretty low, likely because of the coil position. What could I expect if I flip the bridge pickup and get the coil closer to the neck?

You can replace the screw if you want to go that route. Take the string off, remove the screw, get to an ACE and see what size you need.

You explained well why I despise streaming of anything over owning physical media. I love my 4k blue rays and I love my CD 's. I'm struggling as I watch both get harder to find. I want to own it, not have access to it when there is Internet. And to compare side by side, there is no comparison...

It has the BQC in it, they are similar to ibanez and Yamaha knobs, but I bought a bunch from an electronic supplier. I really like them.

I think that's just a straight up rebop deluxe. Nice deal!

Most of the time Series will have much more mid range punch, and be louder. You will loses some top end and a bit of low bass.

Happy FF my most modest, but a great player.

Bass fishing. Beautiful!

The more days I run through this grind, the more I feel I got it wrong, and they are closer to right.

so indonesian is trash, chinese is flawless, gotcha. glad your exhaustive and extensive experience cleared this up for everyone. :thumbsup: my LTD was from vietnam, and the EBMM from USA. What is your take on every bass neck out of those 2 countries?

i don't find bass origin, price, or perceived quality to have much to do with neck stability in regards to humidity fluctuations. it's all about that one piece of wood. i had an inexpensive LTD that moved like crazy. I also have a big al that is likely worth over $3k with premium woods, and...

stunning build right there.

those were my number one choice, but cost and truss issues were my main concern. i'm quite happy with these LTF's. They have a nice sound to them.

Well, how about I bring back some happy to the club. I broke my thumb in June, and I still don't have the strength or dexterity to play my upright. So with the acoustic set today I called on the lightwave with LaBella LTF's. I can't believe how much the initial note attack is so organic and...

You'll be more uncomfortable than the bass. Quite a road trip! Enjoy!

Keanu is a national treasure and must be protected at all costs.

I would love a 5-string model.

Yeah, the mb212 is about the best combo I've ever used. Like comparing a Ferrari to an accord. Nicely done, great deal!

my toneX is giving me the best sound I've ever had. that being said, we are strictly IEM's. that likely makes a big difference.

that's a text book shielding issue. present in some environments, absent in others. the good news, it's a simple fix. our church has a massive light dimmer panel behind stage, it can smell out a poorly shielded instrument in the most humbling way.

so every major orchestra is basically AI? I mean, they pretty much only cover classical music. They never do their own originals. :thumbsup:

never heard a negative thing on them, but I've also never seen one. They are expensive, and uncommon in local shops. I have seen them in a few NBD posts, so hopefully someone can give you some valuable input.

I prefer listening to a great drummer over a good bassist. But I love listening to players like Michael Manring. I tend more toward the rhythmic approach than the melodic approach, so a fondness for drumming is natural.