Still on my same set from the first challenge...Was there ever a 2025 continuation or is this it?
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Still on my same set from the first challenge...Was there ever a 2025 continuation or is this it?
I’m thinking about doing this on my carved bass, but only after I get my Kay worked on. I need slap friendly strings right now for a rock-a-country project I’m working with and the carved bass is the only good sounding bass I have to use right now.
I’ve thought about trying that out. Adam Booker used that setup for years and he’s amazing with slap.One of my old teachers is a prolific slap player and he used to use detuned Spiro Solos.
I’ve thought about trying that out. Adam Booker used that setup for years and he’s amazing with slap.
I’m thinking about doing that. Would you care to expand on what the benefits are for you, and what guidelines you followed for choosing the gut strings?My Spiro B, E, and A have stayed consistently on for 5 years now. However I went to a plain gut D and G last year and have no plans of ever going back to a full set of Spiros.
I made the switch because during the last semester of my masters I played in an early music ensemble and thus had to at least get a gut D and G on. I went with the Aquila plain gut pair Gollihur music sells because it was relatively affordable (I think like $190 for both strings). Also, my teacher in undergrad was Darek Oles, who was a protege of Charlie Haden, and he is a devotee to a Spiro and gut mixed set. So I’ve heard that sound for years, but never embraced that set because I was worried the arco wouldn’t respond well and sound bad.I’m thinking about doing that. Would you care to expand on what the benefits are for you, and what guidelines you followed for choosing the gut strings?
You lucky man, studying with Darek Oles and his detailed sound.I made the switch because during the last semester of my masters I played in an early music ensemble and thus had to at least get a gut D and G on. I went with the Aquila plain gut pair Gollihur music sells because it was relatively affordable (I think like $190 for both strings). Also, my teacher in undergrad was Darek Oles, who was a protege of Charlie Haden, and he is a devotee to a Spiro and gut mixed set. So I’ve heard that sound for years, but never embraced that set because I was worried the arco wouldn’t respond well and sound bad.
Playing in an early music group quickly made me realize that that worry was really unfounded. If you have good technique with the bow, gut strings can sound heavenly and personally I think are far more expressive than a full set of steels. And the transition from the Spiro to gut isn’t that weird once you get used to it. Both strings provide a lot of sonic information, so I’ve found that the only change you have to do is lighten your right arm when you get to the gut D and G. I don’t play as much in orchestras as I used to, but use the bow quite a bit so even though the sound isn’t conventional to modern classical tastes, I much prefer it for what I do.
For pizzicato, it is simply the sound I have always heard in my head due to studying with Darek Oles. So this really feels like I’ve come home. Plus, I think the Spiros and guts enrich each other in unique ways. The lessening of tension by not having a full set of Spiros make the bottom strings feel lighter to the touch and thus have more bottom end to the sound, but the tension brought on by the Spiros makes the guts on top have a bit more sustain. For me personally, it’s really just the sound I like.