Stanley Clarke uses 4 or 5 sometimes, I think. And they are BIG fingers! ( mostly on upright, but not always )
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
I should try to use three fingers as much as possible, but as others have said I try not to think too much about my plucking hand so I use two fingers a lot, and bring in three for 16ths or fast 8ths. I always do fancier runs with two... no big deal, there are plenty of awesome two-finger bassists, but using three helps distribute the workload. Interestingly: I'm no Jamerson, but have noticed that for some easier tunes I use just one. I think this is for consistency of tone: the callus on the tip of my index is harder than on my middle and ring. But doing that doesn't help my imbalanced calluses, so I should avoid it!
Somewhat off topic: I try to use floating thumb because I play a variety of basses with a variety of pickup locations. Floating thumb helps you to easily move your plucking hand between bridge and neck to achieve a variety of tones, and also allows you to mute lower strings with your thumb when playing on higher strings. But my default "non-thinking" behavior is to anchor my thumb, so I'm not great at floating it.
I have zero interest in adding my pinky to the mix, but if someone is so inclined I say go for it.
The differing tone is far more subtle than one would think. It virtually disappears in the mix when using a normal amount of treble in the tone. Crank the treble and the tonal difference becomes more pronounced.So you are extending as well as plucking, using your nails on the extension, like a classical guitar player would? Interesting. Tone would be different on the extension than on the pluck, but it could be cool sounding at the right places.