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5-string Effects for 4-string Bass

I recently started playing bass at my church, and play a lot of contemporary Christian music. We lost some singers so we’ve had to change the key on many of our songs into lower octaves, which now puts my 4-string bass into 5-string note territory. Outside of buying another instrument, what are some ways you guys/gals would recommend getting to those low notes? Thanks!
 
I recently started playing bass at my church, and play a lot of contemporary Christian music. We lost some singers so we’ve had to change the key on many of our songs into lower octaves, which now puts my 4-string bass into 5-string note territory.
This is the 'Pickups & Electronics' section, not really the correct place to ask this question I think. You might try the 'technique' section for better response.

Outside of buying another instrument, what are some ways you guys/gals would recommend getting to those low notes? Thanks!
Also you might try the 'Effects' section.
 
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How much lower? A 5 string only extends your range down another 4 half-steps. Lots of bands just downtune a half or even a whole step (just depends of your tolerance for floppy strings). Also, there's nothing wrong with just playing the song and playing any C, C#, D, or D# in the in the regular 4-strung range. Most people wouldn't notice the difference.
 
The original key is in Bbmaj, with the new key adjusted down a half step (A). In the recording the bassist has tuned down to Bb on the fifth string, so now I’m at a low A. He doesn’t always play the low Bb, however, so you’re probably right in thinking I can get away with just playing a little higher in the register.
 
String the bass BEAD
Got some bead strung basses and I love it. Also got comfortable on a 5 string over a week. But BEAD took me a little longer. I see 4 strings, I'm thinking E to G. Judging by the number of posts from people struggling to adapt to 5ers, BEAD might be problematic in a deadline situation. Maybe have a bass strung EADG available in case you don't make it.

Of course root notes don't have to be the lowest notes you play. People played in all twelve keys for centuries before 5 string electric bass guitars were invented.
 
Another technique that sort of emulates a note sounding an octave lower is to play a double stop with with a fifth above the root note. For example if a low C is called for, you would play the C on the third fret of the A string and the G on the fifth fret of the D string. It’s not exactly the same thing but it gets you in the ballpark particularly if you provide a slight increase in bass boost. Try it and see how it sounds.
 
Another technique that sort of emulates a note sounding an octave lower is to play a double stop with with a fifth above the root note. For example if a low C is called for, you would play the C on the third fret of the A string and the G on the fifth fret of the D string. It’s not exactly the same thing but it gets you in the ballpark particularly if you provide a slight increase in bass boost. Try it and see how it sounds.

Interesting! So essentially a power chord (if you don’t mind me co-opting that term).
 
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Another technique that sort of emulates a note sounding an octave lower is to play a double stop with with a fifth above the root note. For example if a low C is called for, you would play the C on the third fret of the A string and the G on the fifth fret of the D string. It’s not exactly the same thing but it gets you in the ballpark particularly if you provide a slight increase in bass boost. Try it and see how it sounds.

Most definitely. I use this technique regularly when playing my four-strings.
 
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