Flats on those Ricks? Maybe yes... maybe no.
Ricks shipped with flats and the warranty was voided if the owner used roundwounds, at least until the 4003 came out with more neck reinforcement.
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Flats on those Ricks? Maybe yes... maybe no.
Rather strange, given that flats are known to have more tension than rounds.Ricks shipped with flats and the warranty was voided if the owner used roundwounds, at least until the 4003 came out with more neck reinforcement.
Rather strange, given that flats are known to have more tension than rounds.
That's true - sorta. 4001's with the neck pickup right under the fretboard, had a pickup route that was... well, let's just say - overly large... and it removed most of the wood just where the neck transitioned into the center body block. Which resulted - in some cases - of the resulting thin, skinny piece of wood that was left, acting like a hinge; and, under string tension, let the entire neck rise up - like drawbridge opening. Rick owner's call it "negative neck angle". And so; putting any strings on your Rick - rounds or flats - that were higher tension than the factory round core, 45-103 Maxima #4440's - would void your warranty. The Roto 66's eating the frets - much as people like to believe - wasn't the reason they'd void your warranty. While they definitely could eat your 4001's frets? It was their higher tension, and the possibility of folding your bass in half, that would void the warranty. Frets can be replaced comparatively easily. OTOH, stripping the bass down to bare wood; steaming it back flat; and rebuilding/refinishing it? Not so much...Ricks shipped with flats and the warranty was voided if the owner used roundwounds, at least until the 4003 came out with more neck reinforcement.
Plus; that's assuming that you still had a warranty. RIC had - and probably still does have - this little trick in the fine print; the bass's warranty starts when it leaves the factory - NOT when you buy it. Which is the reason you'll wind up needing to go through your dealer, most of the time...
Maybe it isn't what you are going for back then but your recordings just scream Vancouver. Has to be something in the water. Those sound awesome. I saw DOA with Chuck Biscuits on tour with The D+cks it was pretty mind blowing. So loud.Same here - born in 64 and played hardcore in the early 80's. In my case I managed to get an Aria Pro II SB600. I was using Rotosound RS66 and Bass Boomers IIRC, going for more of a Klaus Flouride tone.
I managed to save some audio and put it here:
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unknownfibres
Listen to unknownfibres | SoundCloud is an audio platform that lets you listen to what you love and share the sounds you create.soundcloud.com
Maybe it isn't what you are going for back then but your recordings just scream Vancouver. Has to be something in the water. Those sound awesome. I saw DOA with Chuck Biscuits on tour with The D+cks it was pretty mind blowing. So loud.
My string of choice on the mighty Peavey Foundation was Rotos as well. It isn't like you can't get flats to sound pretty much like rounds and rounds mostly like flats. I don't think it mattered much for my band as long as I held down the low end. If you listen to the bass on this record you can't tell if I was using flats or rounds.
Thx. It is interesting how much an area can influence hardcore and punk bands. If you look at bands early on there were these pockets of similar sounds even today. For awhile there was a bunch of NYHC bands that sound YOT for a bit, then there was everyone sound like fill in the blank here, Madball, SOIA, AF, etc....Thanks! For sure DOA was a big influence. Chuck Biscuits was amazing! We worshipped them, the KTels/Young Canadians, the Subhumans, Black Flag and the Dead Kennedys.
I'm enjoying listening to your stuff - thx for posting that!