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A question for DR String users

Of the sets listed, which is your go-to?


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I've grown fond of using LoRiders 40-100. I'm still pretty curious about the Pure Blues Victor Wooten set which I kind of want to try out. Light gauge strings aren't for everyone but they seem to work for me and give me the sound I'm looking for.
 
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I currently use some well worn DDT40-125 on my basses. One of my bands tunes down a half step and these strings maintain tension and intonation better than others I’ve tried, even with a light gauge. My other band plays more modern rock and the DDT are great for digging in.

My favorite DR are the Pure Blues and I keep a set of them on my EBMM Sterling for the occasional jam or recording.
 
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I was using Dean Markley SR2000 strings on my 6 string, but then became enamored with Heiko Jung.

I just installed DR Black Beauties on my 6 string last night. I absolutely love the tone and feel of these strings! Rich, full, warm, yet bright...but without the clanky zing of traditional SS strings. I lowered my action even further (which was already quite low.

So far I am really loving these Black Beauties. Aside from tone and playability, they also look nice on my bass.

SR2000's...

SR2000-strings.jpg


DR Black Beauties...

DR-Black-Beauties-strings.jpg
 
Pure Blues on my Jazz
Nickel Lo Riders on my Yamaha PJ
I've got flats on my P right now, but often use the NLR's as well.
The Nickel Lo Riders are probably my all time favorite's. Used to use Black Beauties, but once I tried the 'Riders, I've never looked back.
Mainly play Classic Rock, Grungy Rock, Stoner-ish Rock, and Blues.
 
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Pure Blues on my Jazz
Nickel Lo Riders on my Yamaha PJ
I've got flats on my P right now, but often use the NLR's as well.
The Nickel Lo Riders are probably my all time favorite's. Used to use Black Beauties, but once I tried the 'Riders, I've never looked back.
Mainly play Classic Rock, Grungy Rock, Stoner-ish Rock, and Blues.
In your experience how much different is the tension on the Pure blues vs the Lo Riders?
 
For a few dollars more, the DR/Fodera strings ime are like slightly stiffer PBs, stiffer I think because of a larger round core.
 
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I've been playing the Black Beauties on my 6 string since putting them on and while I'm not very picky with my string choices (other than providing me what I generally look for in a string choice), these strings sound absolutely beautiful.

They are very balanced across all strings. My C string sounds full instead of weak or "tinny", and well balanced tonally with the other strings, and the low B is absolutely the best low B I've ever used. It sounds so clean and notes are distinct. From the open low B to the fretted E, F, G, and A on it sound identical to those same notes played on the E string. Most low B's on other sets, when fretted, seem to choke and the notes decay rather quickly, but the Black Beauty Low B rings out with great clarity.

These strings sound rich and full, across all strings and all up and down the fretboard. I'm sure it is dependent on the bass they are strung up on, and on my Ibanez GSR206 6 string they could not be a better match.

I typically prefer bright SS strings and dial back the zing a bit with my tone control, but I find no need to with these. They are not overly bright, clanky or buzzy even with very low action. At $44 for a full 6 string set, these are becoming my favorite string choice.
 
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Hi Beams. I use them for every style of music; Blues, R&B, R&R, Classic Rock, Country, etc; on most of my basses.

I have also used Sunbeams for certain instruments, which tend to be a little to bright.

I did a stint with the Lo-Riders, after Roger Sadowsky promoted the hex core benefits. Those can sound really great; but, I found them to be sensitive / finicky with install; due to intolerance for ANY twisting whatsoever. Ran out of patience.
 
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Hi-Beams, 40-120. Lull M5V. I play a mix of popular styles: blues, pop, soul, funk, reggae, rock. I like my strings just barely broken in - with enough zing on tap for what I consider a good slap sound (even though I don't do a lot of slapping).