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Add new material 5 hours before load-in?

I’d probably go for it and play the songs. That’s just me. I’ll never forget one of my first house gigs the band leader calling out songs on stage I never learned. He gave us the key before at least. It went fine 99% of the time.
 
It's in alternating 4/4, 3/4 :cool:

That’s one way to think of it. But it’s actually in 7/4, which has a different feel from an alternating 3/4-4/4.

Alternating 3/4 and 4/4 slices the time into one measure of 3 equal parts represented by the quarter note, followed by one measure of 4 equal parts represented by the same quarter note. That’s different than 7/4 where each beat in the measure gets an even seventh part of the measure.

It’s a subtle thing. But it’s necessary in order to get the phrasing correct for Solsbury Hill.
 
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I can’t tell you the amount of times I’ve been on stage and someone’s started a song I didn’t even know existed. I’ve also had to listen to a song a few minutes before the set started to learn it.

My advice? Get to work on those ears!
 
I love my band. Our singer is a very cool and talented guy. But sometimes I just gotta LOL.

He sends a text to us about 30 minutes ago that he has "2 or 3" country fans coming tonight so we should play 2 songs that I've honestly never heard before.

Learning songs on the fly (literally onstage) is a skill unto itself. Been doing it for years and it's something you can get good at. As long as it's not like Yes, Rush or King Crimson, it's totally doable.
 
That’s one way to think of it. But it’s actually in 7/4, which has a different feel from an alternating 3/4-4/4.

Alternating 3/4 and 4/4 slices the time into one measure of 3 equal parts represented by the quarter note, followed by one measure of 4 equal parts represented by the same quarter note. That’s different than 7/4 where each beat in the measure gets an even seventh part of the measure.

It’s a subtle thing. But it’s necessary in order to get the phrasing correct for Solsbury Hill.
I was simply kidding.
 
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Bad example, there are plenty of ways to screw that one up. How about getting the chords wrong in Tennessee Whisky? Now that takes real skill!

They purported to be a progrock band. Which means you get zero excuses or forgiveness when you screw up AFAIC. :cool:

And in all seriousness, despite it being much maligned and joked about, hardly any band out there can play Mustang Sally correctly despite being so above it all. If done right ‘ol Sally is a whole ‘nother song. Pretty cool one too.

Any song deserves some respect. Because everything is easy…to play badly. ;):):thumbsup:
 
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The singer in my trio used to do this. I’d get a text mid-afternoon on gig day saying he wanted to do X song. I’d always ignore it, and the song would never be mentioned at the gig. I don’t think he learned them either - the idea popped into his ADD brain for that moment, then left.
 
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I love my band. Our singer is a very cool and talented guy. But sometimes I just gotta LOL.

He sends a text to us about 30 minutes ago that he has "2 or 3" country fans coming tonight so we should play 2 songs that I've honestly never heard before.

I would have said something like "Can't this wait until just before we go on?" or "Try leaning something new that requires moving parts of your body and finding the right notes, not just making noises into a mic".

They're HIS friends- why do the rest of you need to make them happy? Aside from letting them think that you're part of 'HIS' band.

Remind him of the Charley Watts/Mick Jagger incident where Charley heard about Mick referring to Watts as 'his drummer'.
 
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