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An interesting read from Jeff Berlin

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Fearceol" Personal attacks are human nature & a sign of ignorance.

Once gain I shared the link with Jeff so he may respond to his network followers & I could share the reply here.

Jeff: My intention is this might help people to start to re-think how they approach learning for pay.

Yesterday I wrote a post inviting people to name any learning opportunity in any subject whatsoever that one pays to learn where the facts are NOT the primary focus in those lessons. In musical terms this means to name any academic situation in music where musical content is NOT the focus in those lessons. The answer here is in two parts:

1. No one can name any situation anywhere that teaches anything other than fact or content.
2. In music, there are thousands of teachers, dozens of schools and a number of famous and secondary level players that teach everything except musical fact.

Unless people can offer examples of other subjects that are taught that exclude content, then there is little or no validation to support teaching or learning music the same way. P.S. Self-taught musicians are exempt from this conversation as they only have themselves to regard when it comes to their improvement.

I also said that many people would avoid this question entirely and everyone has.True, my question was loaded when I asked it. It is practically a no-win for the non-music academic crowd to make points here as everything is learned content first. Therefore, if everything academic is taught from a place of content, then music should function in the same way.

Realize that this conclusion that states that music needs to be learned according to the facts isn't only my idea anymore! Now it is yours. It became yours the moment that you couldn't show how
other subjects of learning don’t fit into the "facts only" approach to learning. Recognize that almost everything that you have been told about how to learn has been flawed, probably for more than three decades. We, as a musical community have ended up as the Cubans have ended up after decades under Castro's vision of Communism. They are uncomprehending of other social systems that might benefit them better than the system that they presently have. Further, they hold to their beliefs at all costs! Sound familiar? Musicians are like this today, uncomprehending that their teachers have barely improved their situation and yet, who trust their teachers that aren't giving their students what they need. The method to help students, should they seek help, is pure music content! You guys have verified this here by not listing other learning situations that teach without content. Music has to fall into the same manner of imparting information if everything else is taught this way.

Finally, I am not insensitive to the fact that my form of writing rubs some the wrong way. It just comes out this way when I write. But some people ignore the message and critique the manner in which I give it. I would never ignore a message that might improve my life because I am not happy with the tone of the guy that wrote it. But that's just me! I recognize their displeasure, but what was provided to the conversation by offering displeasure in me as a man in lieu of something appropriate to the discussion (read the Christopher Hitchens quote below) Comments like theirs are called "unfalsifiabilities". This is a term coined by Sir Karl Popper. It refers to a comment that cannot be argued because it isn't an arguement. Example: The sun will eventually burn out! One answered: You are antagonistic! Hence, an "unfalsifiability", a contribution offered when one cannot offer something related to the discussion.

To end, I will quote my favorite author, the late Christopher Hitchens, "If someone tells me that I’ve hurt their feelings, I’m still waiting to hear what their point is! It is depressing that we are in a world where people can tell you “That’s offensive!” as if those two words constitute an argument or comment! Not to me, they don’t!"

But Rick you are now buying into the Jeff philosophy of changing the points been put and clouding the water.

Fact from Jeff "Art and Academia should not be mixed"
But Jeff mixes them in his points of argument. Anyone that teaches groove, or feel or any of these issues with music is not teaching Academics, but it's art.

Jeff acknowledges the existance of the two, he talks about the need to keep them separate, and then supports his own argument and points by using the rise of the artistic side of learning against the Academic side or learning.
Jeff uses an argument against the art of playing to prove an Academic need.

If groove and all these other things is as he says are "art" then what is his problem?
He will not deal with art and academics together, so can he blame anyone for going to another source that will deal with them?
If Jeff would deal with his "issues" with music aducation as a whole and show positive ways to use art, groove, tabs, metronomes etc, then he can show by example how best to use art and Academia together.

I for instance embrace students that come to me and want to learn with tabs. After a few weeks to a month or so they see that SN is better and far easier to use than they thought and tabs are left behind.
If i said at the start "my way or the highway" they would go and find someone else to indulge them in using tabs and SN would never see the light of day in there life. Now with SN it their musical lives i can show and write music based study for them, which i could not do with tab.

As for personal insults, well in jeffs case who started them?
It seems he can run down and insult other but they cannot have a "right to reply"

So come on, are we discussing music academics or art, because all the examples Jeff asks for and cites to support his point of view come from art, not the academics of music.

As Jeff rightly says "music for musics sake" but as 10cc said "Art for arts sake, money for Gods sake, money talks so listen to it"
 
the only thing that looks like it truly applies in this day and age is the cruise ship,circus, and broadway gigs.

This is absolutely not true. It may be true for the market where you live, but it certainly is not an absolute truth. All of the gigs listed by Jeff are still alive and kicking you just have to position yourself in the right place and equip yourself with the tools to deliver if you want gigs like this.
 
Good old Jeff. Never use just a few words where several hundred will do. :D

I actually agree with what he says in the main - he makes very good musical sense to me. I'm not sure that warrants saying exactly the same thing over and over again, year in year out, but you have to admire the guy for his persistence.
 
At first I was thinking he’s philosophizing about not philosophizing. But overall I think I agree.

I don’t teach music but I’ve been a flight instructor and I run classes to teach my customers how to implement and monitor water treatment processes.

Teaching in platitudes doesn’t work. If I say things like “you’ve got to feel what the airplane is telling you” or “be the master, make it go where you want it to go”, it doesn’t help the student learn how to do that. If I teach specific, fundamental skills then they will be able to do that, but telling them that is what they should do without explaining and developing the skills and knowledge for them to do it is not a good way to teach.

On the other hand, I also had to assess why each student wanted to learn. A young kid that wanted to be a fighter or airline pilot needed a different approach than an elderly person that always wanted to learn to fly for the challenge and/or joy of doing it.

At first I attempted to teach with the same approach/expectations/standards to everyone and I found that didn’t work well. There are certain standards that have to be met, but not everyone needs to be at the same level to accomplish their goals.

But either way, telling them they need “to get in touch with their inner pilot” won’t help them get in touch with their inner pilot.
 
This is absolutely not true. It may be true for the market where you live, but it certainly is not an absolute truth. All of the gigs listed by Jeff are still alive and kicking you just have to position yourself in the right place and equip yourself with the tools to deliver if you want gigs like this.

yeah all those gigs are kicking, but they dont primarily exist with written music. guys get music before-hand.at least in from what i see in ca. from smaller to large market.
 
Eh. I think folks should develop thicker skins.

Seriously.

Take an electrical engineering course without a grasp of how differential equations work. The teacher isn't going to give you a feel good pep talk, he's going to fail you and tell you to come back when you are prepared to do this for real.

Have you guys heard about these sports fantasy camps you can go to? You get to work with real trainers and coaches and stuff, and use the same equipment that the pros use. Everybody gets to participate. Real deal, bona fide pros are involved and you can interact with them. It's not cheap but it's a lot of fun for people who are in to that sort of a thing.

These 'groove schools' are the same thing. So is Full Sail and all of the 'protools schools' you can go to. You get to hang out with really good players, even play some music with them. You get some positive encouragement. You get to play with some really cool toys. You will not be kicked out if you are not working your ass off.

The difference is that no one believes they are learning skills that they will be able to use in the NBA at a fantasy camp.
 
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Fergie/Others
I put my best explanation in this thread here.
http://www.talkbass.com/forum/f22/why-concept-so-hard-grasp-855136/index3.html

Rick I fully get where you are coming from and of course you and Jeff, as well as well as anyone else that estolls the virtue of education.
But showing me a link is not answering the points, you are doing what Jeff does by not addressing the points made so on this fracas of nothing goes around.

The point to say yes or no to or agree or disagree on how Jeff confuse art and academics himself?

Let's get this straight, when Jeff talks about academic music, he talks 100% the truth because that is what is taken and understood as academic.

But when he talks anything else it is subjective, that is why it is not considered academic, and that's why he misses the mark so often.

Metronomes was his gripe and now it seems groove is to be his his next one.
Groove has nothing to to with Music Academics as did Metronomes, so why cite two things that have no relevance to the subject as reason to study it?

That is just one example of the many things he riles himself against.

Now here is a point, if I and others personally agree with 99% of what he says, then why o why can we not get past the 1% that has nothing to do with music academics and discuss the 99% of what he says that does?

It has nothing to do with thick skins, personality or anything like that it is simply that he is wrong. When pushed for answers he uses his fame and personality to bully its away or rally support to his side without having to supply an answer to the question that can be substantiated. In other words he does not want to be seen as wrong.


If anyone criticises me or gets hostile, or swamps a thread, get abusive etc just because they disagree with me, then they are doing the exact same to me as others have done to Jeff over the years and for what.....that 1% of what I disagree with Jeff on, so again the 99% of what is fantastic info and maybe insight on bass playing *does not get talked about again.
 
The main problem he is referring to is :
You are in a bassists forum : this doesn't make you a bass player or a better player based in this single fact.
You are a bass player : being here doesn't make you a better player,not 2 million words you can write.
It is clear there is a path to follow to be at the top and it includes we learn reading music,and understand it.
You are not going to get there by reading words in a forum,or philosophical theories from teachers : you only get there by learning music in the right steps.

Some posts above someone suggested to learn writing music help to write for everybody,one of the falsest statements you can make.
Let's say,how could a bass player that doesn't know how to play piano write a piano part? Or to write drums parts? or sax parts?
One of those statements that people make " by ear" rather than from academics.
Not denying some people can do it,just saying the one saying that has not the right idea about music.
Let's say he never tried to do such a thing.
 
Obviously an academic foundation is needed for the creation of good or great art in most cases. But in making the concepts stick as a teacher, more flies are caught with honey than vinegar. Some teachers may require people to have bit of a thicker skin in order to be able to deal with them, those that don't have it unfortunately are going to be turned away, those that do will see past it and reap the benefit, but that's the way it goes. It's usually the teacher who needs to have the thicker skin in order to be able to adapt to all the different requests and requirements of various students in an encouraging manner. Open encouragement is always more conducive between people than none or "my way or the highway" type of approaches.
 
Obviously an academic foundation is needed for the creation of good or great art in most cases.

I don't think that is at all obvious. I think an academic foundation is needed for an academic program though.

But in making the concepts stick as a teacher, more flies are caught with honey than vinegar. Some teachers may require people to have bit of a thicker skin in order to be able to deal with them, those that don't have it unfortunately are going to be turned away, those that do will see past it and reap the benefit, but that's the way it goes. It's usually the teacher who needs to have the thicker skin in order to be able to adapt to all the different requests and requirements of various students in an encouraging manner. Open encouragement is always more conducive between people than none or "my way or the highway" type of approaches.

I don't agree with this either. A person being paid to teach should be reasonably personable, to the same extant as any paid professional should be when interacting with clients. By the time you are an adult it should no longer be the teacher's responsibility to stroke egos.

They don't 'adapt to all the different requests and requirements of various students in an encouraging manner' when teaching calculus at MIT. They provide information in a clear, straightforward manner and expect you to work your ass off to keep up.
 
I've run into many JB's in my life. All of them believe that their genius extends to all areas beyond their area of expertise.

Spoiler alert: It doesn't.

Asking someone to prove/disprove a question that you created doesn't mean anything. If you have a hypothesis about something, go out and prove it yourself, then report to the world about your findings in a peer reviewed journal, just like all good scientists do. Otherwise, you're just gossiping. Anecdotal "facts" are just that: a small sample colored by one's perceptions.

For example, I've read many articles or had discussions on the existence of a higher power guiding the universe where the author states" "Since you cannot disprove the existence of a higher power, based on my thesis, the higher power exists".

If you take the time to study Logic, you will quickly learn that, while JB may have his opinion on things, his method of articulating his arguments is on a very amateur level and his conclusions are self-aggrandizing at best and not the least bit important to Learning Theory and the study of how people actually learn.

Meanwhile, he and his disciples are so not aware of the limitations of their constructs and the chasm between what they propound and the scientific knowledge of Learning Theory is so vast that even responding to the OP or JB is pointless because JB's teachings seem to have risen to cult status.

FWIW, you have skills such as meditation, body manipulation techniques(massage) or religious training for which payment can be made that can accomplish their educational goals without providing "factual" content.
 
I don't think that is at all obvious. I think an academic foundation is needed for an academic program though.



I don't agree with this either. A person being paid to teach should be reasonably personable, to the same extant as any paid professional should be when interacting with clients. By the time you are an adult it should no longer be the teacher's responsibility to stroke egos.

They don't 'adapt to all the different requests and requirements of various students in an encouraging manner' when teaching calculus at MIT. They provide information in a clear, straightforward manner and expect you to work your ass off to keep up.

Either you're all over the map here or I'm not following. So you're saying a teacher should be reasonably personable or they should not comply with students in an encouraging manner? I'm not sure which. Either way, the analogy of calculus to music dosen't apply. Two different animals entirely.
 
There still discussion about the messenger and not about the message,which is actually what Berlin is talking about.
Too many messengers spreading the same chant do not make the truth,the "what really is".
*What really is* is study and work,and in the right proportion and in the right context.
That's the key to success,for students and teachers alike.
Many people looking at Berlin (the messenger) and forget the message ( the study,the work,the music),those should not even think on commenting,we know there are haters.
About teaching,you might not like the person,but there is an obvious baggage of knowledge this guy is trying to give us all,and of course has nothing to do with metaphysics,is about music,and education in music.
One thing he is missing is that even though you could learn well,and be able to read,there is a factor of being in the right places at the right times,there is also a factor of luck,there is also a factor of missing talent (tons of first sight readers are talentless),and more factors that might prevent you from succeed (life sometimes take you away from the music world,like having a family to support when music breaks never come).
Given he is a prodigy since 8 years old and supported by it all his life,maybe never had to deal with all this matters.
When super talent support your life,everything comes easier.
 
Heres my take.

Witnessing Jeff live IMO should make any bassist who desires to be the best they can think “ I got to know, what this guy knows, where he got it from & how does he do with it what he does, along with how could I use it for my thing.” The content of his recorded material weather one likes the material (the art) or not should do the same.

Here are some other things I have considered before buying into Jeff's philosophy:
The fact that many of his considered elite peers, the Geddy Lees, Billy Sheehans & Jacos of the industry, have publicly stated in one form or another that his electric bass playing &/or musical knowledge is superior in comparison to just about any & all electric bass players before & after him.
If one reads his bio/history and about his teachers it should become clear not many have the back ground he does.

Jeff interviews:
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http://www.allaboutjazz.com/php/article.php?id=37090&pg=2

http://www.allaboutjazz.com/php/article.php?id=35119&pg=1

The teacher Jeff speaks most of, who to me it sounds like was just as Jeff is in regard to teaching & what to teach vs. what not.
http://en.wikipedia.org/wiki/Charlie_Banacos

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If one removes all the diligent comparison analogies, examples & thought motivators from Jeff's commentary they are left with this in the end:

Simply put all the man is asking is “Why pay, Why part with your money & spend your time to be taught something you could & will develop on your own while not getting what you should be paying for? A lesson in musical content!! The bricks & mortar one will use to create their musical art or reinterpret others.” Between the lines one will also find no need for college & the other non musical subjects if one is able to find a private instructor like Jeff or Charlie, and he's cool with that as long as you are getting "The Good Stuff".
 
lol

I hope the guy that engineered the bridge I drive over every day didn't go to a college where they are teaching about meditation or imaginary dudes in the sky instead of engineering. I don't mind at all if he had to work a little bit to get his degree.

The challenge was to name "one" skill. I named one and you, as a disciple, have raised the bar(changed the focus) in an attempt to to discount my examples.

[/thread]
 
The challenge was to name "one" skill. I named one and you, as a disciple, have raised the bar(changed the focus) in an attempt to to discount my examples.

[/thread]

Have fun meditating your way to better musicianship. I bet some people would be happy to take your money and help out.

I hire a fair number of musicians and put some fairly difficult material in front of them. I've seen plenty of people that studied at accredited universities and I've seen plenty of people who attended workshops and feel good programs.

I've drawn my own conclusions.
 
FWIW, you have skills such as meditation, body manipulation techniques(massage) or religious training for which payment can be made that can accomplish their educational goals without providing "factual" content.

I don't think you understand what Jeff means by 'factual content.' In massage, for example, the instructor demonstrating the techniques on a student would be considered 'factual content.' In religious training, historical documents, artifacts and such would be the 'factual content.'
 
Why do people post on topics they know absolutely nothing about?

Anyone else care to pontificate on the state of pedagogy of the arts in the academy?
Because we've got some real winners so far. Like flight school and "MIT calculus".
 
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