TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
You're saying the CTS and Delta are very similar in terms of actual technical specs but more power handling (likely because of different VC materials imo).Read the Delta 15a specs and imagine you've cut the power handling down to like 50w![]()
I have a real Chicago Jensen 'Hammond spec' 15" which i believe is 16 ohm...it functions but i think has typical "Chicago Jensen voice coil rattle" or a dropped VC.To fill in some blanks....
What’s amazing about the Leslie model 145, 147, or 122 speaker that people typically used with Hammond organs is that the power amp had 2x6550’s producing only 40W. The preamp is in the organ. The cabinets had a single 15” speaker and a horn crossed over at 800Hz, they varied in height, the taller ones had a larger chamber over the 15” speaker and were supposed to produce more bass. The horn and woofer were fixed in place but they had motor driven rotating projectors. The motors have fast and slow settings. Volume is controlled with a foot pedal. What a sound!
Of course, the Hammonds have a wide sonic footprint that steps over not just the bass but everyone else. Nine drawbars per keyboard are used to set the volume of each tone in eight steps from low frequencies on the left to high on the right. The first four drawbars are mostly the bass frequencies. They help the organ player to dial in the sonic space that they occupy.
A marvelous instrument.
I'm actually saying that the CTS and Delta sound very much alike.You're saying the CTS and Delta are very similar in terms of actual technical specs but more power handling (likely because of different VC materials imo).
Is there anywhere that states accurate specs of the CTS speaker?
I know how speakers play a role once you actually A/B compare.
Still i am curious the exact specs of the original CTS B15N speaker... Does anyone make a 'clone' other than possibly VC material?
Further, recones are all over the place in terms of materials, many not close to original specs, more like 'what fits'.
I have a real Chicago Jensen 'Hammond spec' 15" which i believe is 16 ohm...it functions but i think has typical "Chicago Jensen voice coil rattle" or a dropped VC.
I also have a pair of Altec 8 ohm alnico Hi-Fi 15" speakers in a pair of Altec home Hi-Fi cabs with the coaxial mounted cone mid tweeter, nothing great for Hi-Fi but very tempted to try one for guitar or bass use....curiosity mainly!
I also have a pair of Altec 8 ohm alnico Hi-Fi 15" speakers in a pair of Altec home Hi-Fi cabs with the coaxial mounted cone mid tweeter, nothing great for Hi-Fi but very tempted to try one for guitar or bass use....curiosity mainly!
What really burns my biscuits is that the Eminence 8 Ohm Version of the driver used in the Ampeg Heritage isn't available, it supposedly was a replica of
the JBL-140 with improved specs.
Also, the speaker was based on the frame of the Eminence Commonwealth, which was the closest thing Eminence had to an old JBL. I doubt it was an exact Commonwealth, but that was the framework they used. I've heard of a handful of people who were happier switching over to a real JBL, but it always sounded killer in recordings and I never got to play one live so I couldn't tell you.At one time at least, Heritage speakers were available for ordering through customer service. Might be worth calling them or fullcompass to see if it’s available.
The frame is important but if the soft parts (spider, cone) VC etc are not correct or approximated/compensated it wont be the same imo.Also, the speaker was based on the frame of the Eminence Commonwealth, which was the closest thing Eminence had to an old JBL. I doubt it was an exact Commonwealth, but that was the framework they used. I've heard of a handful of people who were happier switching over to a real JBL, but it always sounded killer in recordings and I never got to play one live so I couldn't tell you.
Peavey Black Widow has been seen in several B15N in the Kansas City area over the years according to a friend/vintage guitar dealer, not sure which version.I also have a '67 and ended up replacing the speaker with a Delta on the recommendation of folks on this forum, Fliptops, and my amp tech that the Delta is closest to the original. Sounds great, couldn't be happier.
OP, I get the idea of immediately dismissing the stock speaker in an old combo amp, but I suggest you spend some time with your newly acquired awesome amp and keep your mind and ears open.
Ya, the muddier ones were made for the Thiele cab B-15's.I have two all original 67 B15’s and neither of them sound muddy.