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backup basses

What is your backup bass situation for gigs?

  • What? I only have one bass and it only goes forward

    Votes: 23 13.5%
  • Twinsies! They’re exact duplicates.

    Votes: 12 7.0%
  • Two peas in a pod. Functionally the same in all meaningful ways

    Votes: 16 9.4%
  • Strong family resemblance. Same bass but different string count, electronics or other difference.

    Votes: 20 11.7%
  • Family first. Different basses from the same company

    Votes: 22 12.9%
  • Brothers from another mother. Similar basses from different makers

    Votes: 16 9.4%
  • Opposites attract. An entirely different flavor from different makers

    Votes: 62 36.3%
  • Just one backup? I’m WAY more professional than that!

    Votes: 8 4.7%
  • Carrots (explain below)

    Votes: 9 5.3%

  • Total voters
    171
Depending on the nature of the gig, my primary bass will be a J (rock, R&B, or funk) or a Hofner (Jazz standards - an injury precludes me from playing an upright). Backup will usually be a Musicmaster or Longhorn. I can get a good usable tone out of both of the backup basses, and they're light and compact. There's no other rationale than simple utility.
 
I built a bass from a kit and use it as my backup. It's my Sidechick. LOL

14 - Paula Glamour Shot.jpg
 
Any of my fretted basses with rounds can generally be made to work on a gig that calls for a fretted bass with rounds, even though they are all fairly different. There will probably be one that is the best fit, but I can bring any of the others as backup without much worry.

Harder (but not impossible) to cover for with my others: P with flats, electric upright.
 
One bass, upright or electric. In almost 50 years of playing, I've never had a bass fail, not even a broken string. I don't know of anybody outside of rock bands who brings a spare instrument, or much by way of spare gear at all. They tend to rely on a high quality instrument, keep a very close eye on its condition, and have a relationship with a good repair tech.

I'm realistic. I've kept track of my gear failures over the years. I keep a spare amp head and some cables in a bag that stays in my car.
 
I used to gig with a fretless and a fretted, and could do the whole gig on either. But I never needed to. Now I'm only gigging on upright, and there's no way I'm hauling two of those. If the bridge explodes I'm out for the night, unless I can borrow an electric from the opener.
 
I've never ever brought 2 basses on a gig, and I've never had any issue (or any need to change in the middle of a gig).

I choose one bass for each gig, not always the same - depending on the mood of the day.

All my basses have in common to have 2 humbuckers, but they are very different in feel (string tension, weight, scale length…).

I choose my instrument like I choose my shoes:
  • Some days I feel like wearing very soft and comfy shoes ("chill" day, feeling relax). I will play my Nordstrand Acinonyx (short scale, low string tension)
  • Some days I prefer wearing tight and rigid shoes (feeling dynamic, with a "rock" tension). I will play my L2000 or my Brooks with higher string tension
 
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Current originals band prefers fretless and a few songs requires fretted slap. So I just carry 2 5-string basses now for other bands and jams since both reside in a 2-bass gig bag. I do not play them at home curiously - 6 and 4 strings is what I practice and play at home Upright gigs means just one bass unless there are tunes that require an EB
 
Every bass I own is pretty different from the others. I have a double bag. I rotate my #1’s between my Warwick Streamer & my Sadowsky modern. My #2 is the sire fretless. I swap it in for ballads and “Sledgehammer”. All 4’s. My 5 string never leaves the house anymore.
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