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Bass overdrive

Hey im currently looking for a distortion/overdrive pedal ....ive tried a electro harmonix big muff b4 since everyone says its good but i think it gives too much a of a fuzz im looking for something that can give me a cleaner sound compare to the muff can anyone give me some suggestion price doesnt really matter
 
Would be quite useful to know your price range. With overdrive especially, money goes a long way (hence most of your recomendations being on the expensive side).

My first (and still current :() bass overdrive is/was the DOD 250, very cool sounds, much more subtle and responsive compared to the Big Muff. The only downside is it does suck some lows, but if you know anything about modding replacing a capacitor makes it bassier.
 
I read some posts later of a proco rat, I'm just lookin for it....
Am I doing the right choice??!!
Playing now whith the ODB-3 and locking for something better!

I'm with Dash on this one. I had a Keeley-modifed Rat that supposedly had improved low-end response. I played it one time in band rehearsal, and immediately realized it wasn't going to get the job done. The low end loss made the thing disappear. If you ran it on a blend loop (LS-2 or Xotic), it might be pretty good, but on it's own it was useless for me.

My choice for dirt is a Little Big Muff for thick fuzz and an English Muff'n for gritty overdrive.
 
The GK Deisel Dawg OD has some interesting properties. For individual notes, it can tend to be more quacky and mid-range-y (its three tone controls give you a lot of lattitude that way) - but if you play a double-stop, it generates low-low subharmonics. On doubles, it also messes with the upper harmonics somewhat in the way that a fuzz-octave does - like all skkkxxwiirrshy. Uh - yeah; that's it.

If you crank-up the gain, it can also do heavy distortion, and if you do that while scooping the mids and raising the highs (called "edge"), it gets a real 'metal'-tone that I'd think would be great for guitar.

I must admit, though, that I rarely use it alone; I usually use it to drive an ODB-3 with (the Dawg is running a light overdrive, while the ODB is cranked). That sounds killer - but my full, all-out high-gain sound includes a CEB-3 (chorusing only high-freqs) and an Xciter between them.

Where I don't want the D.D. is for a synth tone. Then I run CS-3 compressor to OC-3 octaver (in poly mode) to the ODB.

I use the ODB-3 by-itself, more than I run the D.D. by-itself - but Dawg into ODB is pretty amazing to me!

Joe