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when playing live, what will come after my Sansamp bass driver if I go DI to FOH.
mic preamp?
EQ?
Compressor?
I do that with my church-provided BDDI as I don’t use my personal rig at church - tho I could if I wanted to.I run Bass -> BDDI -> FOH.
If the soundman wants more compression or EQ he can add it at the board.
Nothing.when playing live, what will come after my Sansamp bass driver if I go DI to FOH.
Nothing if you are already going to DI.when playing live, what will come after my Sansamp bass driver if I go DI to FOH.
mic preamp?
EQ?
Compressor?
I do that with my church-provided BDDI as I don’t use my personal rig at church - tho I could if I wanted to.
That rig has wireless into tuner, has Cali 76 Comp, Corona Chorus, JHS Punchline - all switchable via gig rig quartermaster QMX6 - into a Khan VTDI going to FOH. Most of the time I only have the comp active (light compression) in case I get exuberant!
I do use the others for some songs.
Well, only at church!Lol this cracked me up. 'I have this epic spendy board full of awesomeness, but mostly I just use a Sansamp'
This question is worded a little ambiguously IMO.when playing live, what will come after my Sansamp bass driver if I go DI to FOH.
mic preamp?
EQ?
Compressor?
My Sansamp is the last item in my signal chain. It has been there for over 10 years now. I add compression and an occasional octave box to the input side of my Sansamp. The balanced DI output is clean and has a ground lift button. The unbalanced output is enough to drive a bass amp but often not enough to drive a power amp to rated maximum power, but that doesn't really matter as my bass amp is only a stage monitor... The max output level of my Sansamp Character Series preamp/DI is good enough to use as "last in the chain" in my experience, both at church where I'm ampless with IEM's or at my band gigs with stage amps wedge monitors and full FOH PA.Nothing.