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Bass Tone That First Blew You Away

First ever where I recognized the bass: My Friend of Misery (and The God That Failed). That's when I thought to myself: "That would be a cool instrument to play".

But the one that actually blew me away: Hysteria by Muse. Somehow it ended up being the first track on a CD I got, and it pretty much changed my life. Honorable mention goes to Mr. Chancellor and Mr. Commerford.

I know that's pretty much one of popular answers when it comes to bass, but think what you may about Flea, TimCom, Justin, Chris from Muse and such bass players, their impact on young people is undeniable, as well as their influence in terms of someone choosing the bass over a guitar. Unfortunately, the kids are usually unable to appreciate the finer subtle-r nuances of true bass playing until significantly later into their playing careers, so we need those ballsy, aggressive, distorted riff playing guys to spark the initial interest in the instrument. That's how I see it.

Nowadays, for example, I would pick a 64 Precision straight into an SVT (De-Loused in the Comatorium) as my favorite tone, but I will never forget what something like Hysteria did to me in the grand scheme of things.

P.S. Apologies for typos: phone :(
 
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For me, it was by 4 bassists and I'll list the artist, albums.
Geddy Lee - A Farewell to Kings
Jaco Pastorius - Heavy Weather
Andy West - Dixie Dregs "Free Fall"
Stanley Clarke - RTF "Where Have I've Know You Before.
Being a teenager, it was the moment were I knew I wanted to be a bass player

your list is awesome. my list would be similar to yours with Bootsy Collins in place of Andy West.
 
Chris Squire
Geddy Lee
Tim Landers (with Al Di Meola)
John Glascock (Tull)
Dave Hope (Kansas)

Most of my Tone-Idols have been pick players but, unfortunately, back when I was starting out, I subscribed to the myth that real bass players used their fingers etc...
That being said, I've always strived to get that sort of clarity and attack from my fingers.
 
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Jack Cassidy from Jefferson Airplane. Crown of Creation.

Jesse Colin Young. Elephant Mountain Ride the Wind.

Berry Oakley, Allman Brothers, all of Live at Fillmore East.

Ross Valory, Journey, Who's Crying Now, Separate Ways. Awesome tone with an Ovation bass.
 
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A nice assortment there.

For me, it's tough to pinpoint. But it might've been Anthony Jackson on Al Di Meola's Tour de Force (1982). I had been listening to a lot of stuff at the time, ranging from Led Zeppelin to The Police to Chick Corea's Elektric Band. But it was probably Jackson's tone on Tour de Force that made me think: "If I could play electric bass, that's what I'd like to sound like." Then I heard Jackson on Simon & Garfunkel's The Concert in Central Park (1982), and I began to appreciate his talents even more.
How killer is Patitucci's tone on "Light Years!"
 
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