You have every right to say no. And if I were the one asking I wouldn't even hold it against you. I can understand not wanting someone else to use your gear, especially when breaking in something brand new.
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
General rule of thumb for us is that other bands are welcome to our cabinets and drum kit.
We only ask them to bring their own guitars,heads,pedals,snare and cymbals.Basically this saves you moving and changing all the big heavy stuff,and also means if a band needs to,they can fit everything they need in one car.It's pretty important to get in touch first though and ask.you can't just rock up at a gig and expect to use this stuff.In the event that a band is without,that's their problem for not getting their **** together beforehand.
As far as cover band pay we make about 500 a night, give or take 50. The originals scene around here is pathetic. Not there aren't good bands out there, but there aren't many places that bring in originals bands. If you want to steadily gig out around here it's pretty much cover oriented. We throw a few originals in during the night, but it's mainly covers. Back 20-25 years ago there was a very healthy originals scene here and lots of places to play but that worm has turned.
The cognitive step being that when you're in an original band, it's less likely you'll have 3 hours of material to cover an entire gig. Therefore, most bars/owners have the propensity to fill the bill with several bands that all play originals (better chance of drawing a better crowd). While I enjoy playing original music that I helped write, I don't always like playing a gig with 4 or 5 bands. Aside from gear sharing, you usually have to keep tabs on your gear.
When I played in a cover band, I rarely played with other bands, and at best it was 1 other band. No gear sharing.
Ya know, there's something to be said for this. As much as we spend on amps, cabs, and what not, is it really all that important? In the end we are slaves to the soundman. I know I am sent through a DI 99% of the time and the guitarist is mic'd. Maybe we should all invest in a good DI and carry a little combo amp for the stage. My amp will work as a DI without a load, maybe I can swing just carrying it without a cab. There are a few venues I can think of where this might really work. Why do we spend so much time tailoring our sound when its a second or third thought to those hearing it?!I'm what they call a gear borrower. I know, I'm scum.
What can I say? I like to plug directly into the PA
Honestly, I own a bit of amp gear (Ampeg B18, Markbass LMII, an Aggie GS410, and an Ampeg 115 cab) but it doesn't mean I always want to lug it around. For the longest time I would supply the backline for shows because I didn't want to waste time between bands, I was headlining, I had the best gear, etc.
After awhile I got lazy and I started using whatever the backlines were provided or I would plug directly into the PA. At about this time I stopped caring so much about my bass tone because the audience didn't either. I owned a DI and would sometimes carry my LMII in a bag. Sometimes, if they said that I couldn't plug into the PA, I'd ask to borrow an amp if I knew one of the bands playing. If not, then no dice and I begrudgingly bring my own.
I lend out basses and guitars (sometimes for weeks or months on end) to friends all the time. I rarely ask to borrow anything.
I forgot my bass cab at my first show .
I don't get how people can break it unless they pull a Petr Townshend on it if you set it up right and make sure everything is plugged in right etc.
RaginRog said:You got it.
Oh yeah, I don't think cover bands should get more than $250-300 a night for the entire band (time, gas, beer money). Some of these cover bands want $750-1000...but that's just greedy in my opinion. It's a hobby.
Checking out a live cover band isn't bad, so I wouldn't compare it to a juke box.
temmrich said:I see the mentation on it now. I am not opposed to playing covers, but am opposed to cover bands ( does that make sense?). My original only band can cover 2 or 3 hours no problem, and we've never been on a bill with more than one other band unless it was a festival. But, I see what you mean, and I completely understand what you meant now. I would have issues with letting a bunch of people play on my rig, one or event two guys I trust is one thing, but a half dozen people is a bit much.
Thank you for the clarification, sincerely!
lowfreq33 said:Actually there are far more people making a good living solely from playing covers. Why? Because most people that go out to bars would prefer to hear songs they know and like.
Now I promise you if a band sucks they won't be getting those $1000 gigs, and they won't be getting asked back to any decent gigs if they run off the crowd. But a great cover band is worth there weight in gold to a bar owner. I filled in for a friends band this weekend, all covers. There were about 400 people there, buying lots of drinks, and they stayed until the place closed. We got $1200 for our trouble, and the owner wouldn't let us leave until they booked another gig. They wouldn't pay that kind of money if the band wasn't worth it, or if they were making more money without the band there.
Conversely, the sound guy (and every employee we talked to) told us about the previous nights band, who will never be booked again at any of the 11 bars in the chain. Took too long on breaks, too many breaks, didn't follow the rules laid out in the contract, played horrible music nobody had ever heard, were rude to the crowd, and quit two hours early, which turned out to be a good thing because they were running the crowd off.
My answer is always nope (okay, exceptions stated below). I put too much money into my rig to let some schmoe who doesn't even care enough to bring his own rig use it. Plus, my Sunn 2000s and the JBLs in my cabs are not easily replaceable gear incase something does happen. I know what my rig can do, I know how it works, I know its quirks, and am not about to let someone else mess with it.That doesn't just apply to the head either. Someone mentioned letting other bands use their cabinets, but I would even refuse that. JBL K140s aren't exactly easy to come by or cheap, so I'm not taking the risk of some guy plugging in his 5-string active bass, cranking the bass knob and bass boost on, and blowing my speakers. And personally, I find it unprofessional not to bring your own gear. It's like they can't be bothered. What if none of the musicians had been bothered enough to bring equipment? Then everyone would be standing there like idiots with no gear to use on the assumption that SOMEONE would bring gear.
There are only three musicians I trust enough to play my rig (only one I trust to play my bass). And they're people I've known for several years now. If I know it's like an open mic, or a jam session, I'll bring a cheap ampeg B2 combo I have, which I'm not worried about. Otherwise, not a snowball's chance in h*ll that I'm letting someone use my rig.
I wonder that bass players are so piky about their sound,don't take their gear to the gigs.![]()

Lichtaffen said:I apologize for not reading all the previous posts, but I have to chime in as devil's advocate. I played a show recently 6 hours away from home and stupidly forgot my case full of cables. Basically, I had a rig minus any way to power it or connect cabs to my amp. The guy in the other band had this crappy Hartke rig and let me use it to play our set. Had he been a nit picky anal retentive chap, my band would have had to play without any bass. Luckily he was a gentleman and allowed me to use it.