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BBE Sonic Maximizer - where does it go?

You have to buy Monster cables to plug this unit , then you'll hear the magic that this unit is designed to.
Plugging it with sub quality cables won't bring to life whatever it's supposed to do .
These units need mega $$$$ cable to work.
:smug:


..... oh and you also have to use a power conditioner too !
 
Instant EQ in a box...great for marginal PA's but only when used in small doses. Works best in the L & R main inserts. Do not use in an Aux loop and blend as this causes some phasing (?) conflicts. I have a couple and an Aphex 104 equivalent which I'm currently using.

Riis
 
As I said, I havn't had it plugged up in a few years (probably 5 or more). What I do recall is that the most notable differences were when we played dancy cd's between sets. Don't recall it doing a whole lot for live music though. I also remember it eating up a bunch of headroom. I just hate to see it sit when I have a few open rack spaces. Is the Peavey Kosmos similar in function to the BBE product? And is that respected any more as a viable tool then the BBE?
 
These do a LOT of EQ with treble boost that varies with the signal up to + 23 dB and a pile of fixed bass boost, so be careful where you put it so you don't clip something.

The biggest problem with the SM's is they have controls which range from 0 - 10...there should be a pinstop at 3. Anything past that point is garbage, sounds processed, and as Gio pointed out, has the potential for clipping.

Riis
 
The biggest problem with the SM's is they have controls which range from 0 - 10...there should be a pinstop at 3. Anything past that point is garbage, sounds processed, and as Gio pointed out, has the potential for clipping.

Riis

True. I think they're great for bringing vibrancy to recordings, (more on the guitars and vox than the bass) but I rarely go over "2".
 
True. I think they're great for bringing vibrancy to recordings, (more on the guitars and vox than the bass) but I rarely go over "2".

Exactly. I stuck a spare in my buddy's karaoke rig: Behringer board, AudioCentron power amp, and two yard-sale Peavey enclosures. Sounds pretty good with canned tracks and accompanying vocals.

I usually A/B the dry and SM processed mixes and adjust the Low Contour so the bass responses are matched.

The SM is frequently touted as nothing but a treble & bass shelving unit, but I see them incorporated within the BBE line of bass preamps which already have dedicated treble & bass controls. For those who've owned or played a BBE, how do the two (EQ and Sonic Maximizer sections) vary in tems of tonal response?

Riis
 

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