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What head are you currently using with your G-K cabinets, and what model cabinets are they?
I haven't tried any of Berg's newer heads, but they seem to have a really good reputation. I'm sure I'll eventually sample one or another if I get a chance.Thanks. That’s kinda my thinking also. I’m weaning myself off of my wonderful but too-heavy Sunn 200s w/ 2-15 JBL cab, which is a hard act to follow, at least imo. And I also have an Ampeg B-18 which I love, but it’s also getting too heavy for this 71-year-old to lug around anymore. My GK rig is light and very powerful, but I’m missing the tube warmth, which I am told the Bergantino does an outstanding job of emulating.
I haven't tried any of Berg's newer heads, but they seem to have a really good reputation. I'm sure I'll eventually sample one or another if I get a chance.
I do have a GK MB 500 and I play it through a pair of 2x10 cabs. This setup is plenty loud for me, even outdoors without PA support for my sound, but I agree that it isn't particularly warm sounding on its own. I get a little more warmth and maybe "smoothness" from a Genz Benz Shuttle 6.0, but this head isn't quite as eager go as loud as the GK.
To get a little more of that cozy warmth in my sound when using the GK, I dug out my old rack preamp; an Ampeg SVP-BSP (Billy Sheehan model). Only one tube in there, but its clean channel has a very nice personality that's warm and fat. The first time I added the preamp to my rig for a show, everybody noticed more fullness in my sound (and loved it), so I've used the preamp in front of the GK a few more times since then.
This is only one example that could potentially bring more of what you want to your sound without needing to buy a Bergantino, but it would also add another component to your signal chain. A Berg would probably be a honey of a head, but one preamp or another wouldn't be tough to cart around and could sprinkle some tube warmth into the sound you're getting now without you needing to make a really big investment.
I haven't tried any of Berg's newer heads, but they seem to have a really good reputation. I'm sure I'll eventually sample one or another if I get a chance.
I do have a GK MB 500 and I play it through a pair of 2x10 cabs. This setup is plenty loud for me, even outdoors without PA support for my sound, but I agree that it isn't particularly warm sounding on its own. I get a little more warmth and maybe "smoothness" from a Genz Benz Shuttle 6.0, but this head isn't quite as eager go as loud as the GK.
To get a little more of that cozy warmth in my sound when using the GK, I dug out my old rack preamp; an Ampeg SVP-BSP (Billy Sheehan model). Only one tube in there, but its clean channel has a very nice personality that's warm and fat. The first time I added the preamp to my rig for a show, everybody noticed more fullness in my sound (and loved it), so I've used the preamp in front of the GK a few more times since then.
This is only one example that could potentially bring more of what you want to your sound without needing to buy a Bergantino, but it would also add another component to your signal chain. A Berg would probably be a honey of a head, but one preamp or another wouldn't be tough to cart around and could sprinkle some tube warmth into the sound you're getting now without you needing to make a really big investment.
One thing I like about the Berg is the built-in pre-set compression. I don’t know a lot about compression or any effects for that matter, but I understand that it is a good thing.I haven't tried any of Berg's newer heads, but they seem to have a really good reputation. I'm sure I'll eventually sample one or another if I get a chance.
I do have a GK MB 500 and I play it through a pair of 2x10 cabs. This setup is plenty loud for me, even outdoors without PA support for my sound, but I agree that it isn't particularly warm sounding on its own. I get a little more warmth and maybe "smoothness" from a Genz Benz Shuttle 6.0, but this head isn't quite as eager go as loud as the GK.
To get a little more of that cozy warmth in my sound when using the GK, I dug out my old rack preamp; an Ampeg SVP-BSP (Billy Sheehan model). Only one tube in there, but its clean channel has a very nice personality that's warm and fat. The first time I added the preamp to my rig for a show, everybody noticed more fullness in my sound (and loved it), so I've used the preamp in front of the GK a few more times since then.
This is only one example that could potentially bring more of what you want to your sound without needing to buy a Bergantino, but it would also add another component to your signal chain. A Berg would probably be a honey of a head, but one preamp or another wouldn't be tough to cart around and could sprinkle some tube warmth into the sound you're getting now without you needing to make a really big investment.
Cool beans. I like the playing my GK with the limiter on top switched on, but I haven't experimented with going between on and off at higher gig volume. Hope it's helping my cause.One thing I like about the Berg is the built-in pre-set compression. I don’t know a lot about compression or any effects for that matter, but I understand that it is a good thing.
I have a Forte HP and found it a bit cleaner than I like right out of the box, but downloading the BFT plug in with a little compression, drive, and a bump at 100 Hz turned it into fat city.Agreed, love Berg cabs, but sold the Forte because I found it too clean and dry. Warm it does not do (without pedal or preamp help), although I haven't heard the newer Forte "D" with overdrive which may warm it up to OP's liking.
I also have a GK head (1001RB), crazy loud but not warm and fat. But if I plug a tubey preamp into the effects return, like my Broughton Archetype, ohhhhh yeah.
So warm/fat comes from the pre rather than the power section, unless of course you're rocking a tube amp. If one is ok bringing an extra device, pre-of-choice + SS power amp + quality cabs (including GK CX's) will get it done.