I've been largely satisfied with my EH Big Muff pi, but I have to use my Boss LS-3 (line switch) pedal to mix a dry signal in with the wet - convenient for me as I already the LS-3. Alone, I found the Big Muff sounded nice, I could preserve the bottom end. But in a full band setting, I felt like it was getting lost. The Big Muff is also pretty much full-on at it's lowest setting.
My favorite distortion at the moment is my 80's era Polytone Minibrute IV. It has treble/bass, a tone color switch, reverb and an overdrive level control that's stacked with the volume. You can mix the overdrive with the dry signal (the foot switch just turns on the OD, adding it to the dry signal). It's a great jagged, grindy sound, unlike the smoother, more consistent sound of the Big Muff.
The Polytone isn't always the amp I want to use, though, so I can't always have it's distorion.
I think I need to check out the Bad Monkey and the Fulltone after reading so many favorable comments.
My favorite distortion at the moment is my 80's era Polytone Minibrute IV. It has treble/bass, a tone color switch, reverb and an overdrive level control that's stacked with the volume. You can mix the overdrive with the dry signal (the foot switch just turns on the OD, adding it to the dry signal). It's a great jagged, grindy sound, unlike the smoother, more consistent sound of the Big Muff.
The Polytone isn't always the amp I want to use, though, so I can't always have it's distorion.
I think I need to check out the Bad Monkey and the Fulltone after reading so many favorable comments.