For something as ubiquitous as a budget jazz bass, have you considered just going to brick and mortar stores and just buy the one you like best?
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I truly believe that the very best "Fenders" are made by Lakland.MIJ — or Lakland Skyline.
Another vote for the used Lakland Skyline. They play great, they sound great, and they tend to hold their value. I've owned several over the years. I'd still be playing a 44-60 and a 44-64 Vintage P, except they were stolen a few years back.A couple of contenders:
Used Lakland Skyline 44-60
Sandberg Electra TT4
Schecter J4
Sire V7/V8
Sadowsky MetroExpress Vintage JJ
bummer. sorry to read that.I'd still be playing a 44-60 and a 44-64 Vintage P, except they were stolen a few years back.
Don't cry for me. I upgraded myself to a 2005 Lakland USA Joe Osborn signature jazz. It really was built for Joe, complete with reverse tuners.bummer. sorry to read that.
I see USA jazz basses for around a grand all the time. Stalk craigslist you can also cold call people in different cities to see if they will ship. Often these craigslist people are also active on ebay and reverb and they will be happy to ship I do it all the time. Happy huntingThat's what I was thinking; if it has to be an American-made Jazz, many have sung the praises of the 2012 to 2016 Fender American Standards. It's the period where the Custom Shop '60s were the stock, single-coil pickups and, from what I've seen and read, had decent-or-better quality control. This one is a teensy bit over your $1,000 ceiling, but at this time, most MIA Jazzes are gonna cost a little over a grand, so…
I owned one and it still bites that I had to let it go to pay the bills.![]()
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A close second might be something from the MIA/MIM, mix-and-match Fenders. They started with the Highway 1/One Jazzes, continued with the American Specials and are currently branded as American Performers. The bones are made in the U.S., but they're assembled in Mexico and have some parts found in the MIM Standards/Players. I, myself, never owned one, but I sampled a few over the years and they felt very good in my hands.
This one is, in my opinion, priced a little too high, but one might be able to use the MIA Standard linked above as leverage to get a price-match discount.
And last, but certainly not least…
…curate the parts of and assemble a working Jazz based upon your particular tastes, like I've done with my Projekt basses.
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For all kind of music : Fender American Performer jazz bass, used
For popping and slapping : Bacchus jazz bass
A friend of mine has the Fender and when I borrow it for a few songs, I can make it rock although he uses it for dance music and the likes.What makes you say that?
Hey, shut up about the 2008-2016 American standards! (Best Fender build quality evah!)That's what I was thinking; if it has to be an American-made Jazz, many have sung the praises of the 2012 to 2016 Fender American Standards. It's the period where the Custom Shop '60s were the stock, single-coil pickups and, from what I've seen and read, had decent-or-better quality control. This one is a teensy bit over your $1,000 ceiling, but at this time, most MIA Jazzes are gonna cost a little over a grand, so…
I owned one and it still bites that I had to let it go to pay the bills.![]()
![]()
A close second might be something from the MIA/MIM, mix-and-match Fenders. They started with the Highway 1/One Jazzes, continued with the American Specials and are currently branded as American Performers. The bones are made in the U.S., but they're assembled in Mexico and have some parts found in the MIM Standards/Players. I, myself, never owned one, but I sampled a few over the years and they felt very good in my hands.
This one is, in my opinion, priced a little too high, but one might be able to use the MIA Standard linked above as leverage to get a price-match discount.
And last, but certainly not least…
…curate the parts of and assemble a working Jazz based upon your particular tastes, like I've done with my Projekt basses.
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How’s the weight on the Skylines? Heavy?Another vote for the used Lakland Skyline. They play great, they sound great, and they tend to hold their value. I've owned several over the years. I'd still be playing a 44-60 and a 44-64 Vintage P, except they were stolen a few years back.