Yes, except for his Warwick period.Prince was a jazz bass man.
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Yes, except for his Warwick period.Prince was a jazz bass man.
They were not fenders but still had 2 Jazz style pickups .Yes, except for his Warwick period.
They were not fenders but still had 2 Jazz style pickups .

Ethan Farmer absolutely murders on this track , slap, upstrokes , double stops and makes all of it fit in a pop tune !
Man that is killer, funny if the vocal was a sax line that would make a killer fusion tune. It basically is with vocals. Love the way he's doing so much but the drums and bass never waiver from keeping a tight groove. Thanks for sharing! Oh and yes killer tone.
I was going to add Brian Bromberg for having great tone in all styles actually and great slap tone.
Give it a minute or so to kick in...
That guy! Love me some Brian Bromberg
Not only a monster bassist, but a kind, talkative human being.
First time I met him, he acted surprised I knew who he was
Talked we me and a friend so long, his handlers had to come get him and he still didn't want to leave!
He was playing with Portland's own Jeff Lorber
Good times
That guy! Love me some Brian Bromberg
Not only a monster bassist, but a kind, talkative human being.
First time I met him, he acted surprised I knew who he was
Talked we me and a friend so long, his handlers had to come get him and he still didn't want to leave!
He was playing with Portland's own Jeff Lorber
Good times
I will check my liner notes, but I think it's Terry Jackson on bass for Cube. (No, I may stand corrected...)Skeet Curtis, Pfunk alumni, on this track.
I want to put a bassists name on the Blackman tune for people who might not know, Barry 'Sonjohn' Johnson, such a great player on a overlooked funk classic album.
I know. It's Old Thread Revival Time, but I just stumbled onto this on YT.You put a highlight on three great sidemen who are forgotten at times. Buddy Hankerson, in particular, is a player who falls off of my radar for some reason although his groove is awesome.