• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Blown away by the bass tone

Bill (Electric) Church from Sammy Hagar's Three lock Box and Standing Hampton is the tone that inspired me to own many '57 and '58 Pbasses and a few early Ampeg SVT's. That has always been the tone in my head. Check out Remember the Heroes or Remote Love. Something about those late 50's Pbasses with one-piece maple necks coming thru an SVT or V4B. Very versatile and cuts through with fatness and warmth and major punch.
 
Echo what others have already mentioned:

- Duff McKagan, GnR albums
- Geezer, all Black Sabbath albums,
- Lemmy, just cause it's loud and different!
- Burke Shelley! Amazing
- Cliff Burton, because it's Cliff


Others:

One of best sounding/mixed punk album - Descendents "Everything Sucks"




Great mixed thrash punk/metal crossover album – Municipal Waste "Hazardous Mutation"

 
  • Like
Reactions: Loring and Flying B
I just want to say that I really like Tony Levin's tone when he plays. It just seems to fit so well. Whenever I have played a Music Man bass and got a sound that was anywhere near like Tony's I hated it. I don't understand.
 
  • Like
Reactions: Loring
We TB'ers spend a lot of time pursuing that elusive tone quest.

What song tracks have you come across on your travels, either studio recorded or particularly live, where you were blown away by the bass tone?

If you have audio or video clips then please feel free to share and if you know the details of the rig, even better!

It seems my perfect tone was created by Rickenbacker basses. Both Rush "Red Barchetta" or the whole Moving Pictures album or Yes Fragile album. I do consider it "lead bass" because the tone is so mid heavy and it stands out without being Rude. That tone was what gave bass a real voice in a band, not so much just part of the background and low key.
 
  • Like
Reactions: crammit442
Without question the tone I have always lusted over is Anthony Jackson's tone on the Al Dimeola "Tour De Force" album. He is using a Ken Smith 6 string, and it is amazing. There is a funny story about this recording. Anthony and Ken had a falling out over the years, but out of spite and to stick a knife in Ken's neck, Anthony has told people that he used the Smith during the performance, but later overdubbed all the bass with his Fender P Bass. I know this is pure BS, and if you have half an ear, you know that you are not hearing any Fender product on this album. Besides, you can confirm the tone with a live video of Anthony playing the Smith on the same tune for a television show. On that video, the bass sounds exactly like the album, and is in fact the same bass on the album cover. Go to these links to compare for yourself:

 
  • Like
Reactions: SzunaP
Without question the tone I have always lusted over is Anthony Jackson's tone on the Al Dimeola "Tour De Force" album. He is using a Ken Smith 6 string, and it is amazing. There is a funny story about this recording. Anthony and Ken had a falling out over the years, but out of spite and to stick a knife in Ken's neck, Anthony has told people that he used the Smith during the performance, but later overdubbed all the bass with his Fender P Bass. I know this is pure BS, and if you have half an ear, you know that you are not hearing any Fender product on this album. Besides, you can confirm the tone with a live video of Anthony playing the Smith on the same tune for a television show. On that video, the bass sounds exactly like the album, and is in fact the same bass on the album cover. Go to these links to compare for yourself:


:D, I've written A. Jackson also, but I ain't got info what he played on Electric Rendezvous? Maybe he got Fodera already that time? And a lovely chorus, definitely...