I almost forgot Percy Jones in Brand X
Fretless Wal I believe.
Fretless Wal I believe.
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I have no idea about his rig, but his sound has been engraved in my brain since 1970.
More recently, the 'synthy' P bass tone of Charlie Puth's - Attention, which is not dissimilar to Dua Lipa's - Don't Start Now, is a tone I'd happily use widely!

@mongo2 nice story and how crushing a response was that by the family!![]()
Just heard this for the first time today and have really been digging both the tone and the bassline.
How does it sound to you when Julia plays them?they are definitely playable, but the sound on the record miiiiiight be programmed
Be careful; if you ever go down the Scott rabbit hole, it can be a harrowing, but rewarding experience...
Every era was fascinating, but he got more challenging and astounding as he got older, not the usual trajectory. His 90's album, Tilt, is one of the scariest records ever made, and his final recording was done with drone band SunnO))). Always had great orchestrations...
Bowie owed him bigtime.
The Walker Brothers were neither brothers or British, but were huge over there and Europe in '65-'67; Jimi Hendrix once opened for them. While they were a sort of Righteous Brothers on overdrive, his solo stuff, initially, was like Sinatra or Jack Jones on acid. He then discovered Belgian/French balladeer Jacques Brel, covered a lot of that material, while his own got more theatrial and esoteric. He disappeared for a while, but aside from the WB's 60's popularity, he found his biggest audience among the hipsters of the 80's, 90's, and oughts. A comparable(but not the same)artist would be France's Serge Gainsbourg...This is great! So strange to never have heard of him before.
Just heard this for the first time today and have really been digging both the tone and the bassline.
The Walker Brothers were neither brothers or British, but were huge over there and Europe in '65-'67; Jimi Hendrix once opened for them. While they were a sort of Righteous Brothers on overdrive, his solo stuff, initially, was like Sinatra or Jack Jones on acid. He then discovered Belgian/French balladeer Jacques Brel, covered a lot of that material, while his own got more theatrial and esoteric. He disappeared for a while, but aside from the WB's 60's popularity, he found his biggest audience among the hipsters of the 80's, 90's, and oughts. A comparable(but not the same)artist would be France's Serge Gainsbourg...
The bassist on that track might have been the same as on "Old Man's...", or else Herbie Flowers. Then there's this...
..and of course...
Whatta playa.