I've been on Berlin-trilogy era Bowie kick and am really curious how George Murray got that particular bass tone. I did a little poking around here but didn't see too many specifics, maybe a P, maybe this, maybe that. Anyhow, Murray (and Carmine Rojas, later) achieved a really huge, round, even tone, and I'm wondering, aside from what basses they used, if anyone knows anything about Tony Visconti's production on the various albums he did with Bowie: what amps? compressors? eq settings? That tone is just knocking me out... It's the best of the seventies to my ears.