Drew Gress used a SM 58 for some time into a Walter Woods MI-100-8, it sounded incredible, but it was Drew Gress. I like the SM 57 but it's a bit of a challenge to mount on a bass, you need an H-Clamp or On Stage Mount. It's a true workhorse, but there are a whole
group of mics now for live double bass amplification. Unfortunately, their not as inexpensive as a SM 57 or in some cases as durable.
Before he got an AT35, the soundman at the Green Mill in Chicago used a 58 between the afterlengths resting on the tailpiece. Did a fine job. I also heard a Branford set there and Eric Revis used two 58s next to each other on his bass. Giant sound.