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Build diary - 33” 4-String Scale PJ

turindev

Commercial User
Jul 1, 2005
514
1,594
Chattanooga, Tennessee USA
www.m7bassworks.com
Disclosures
Builder, m7bassworks.com
It’s been a while since I posted a build here, pesky guitars have been getting in the way (sometimes you have to give the people what they want). This build diary is one of my Type V models, for the first time as a 33” scale variant. Let the fun begin!


Let’s start with the fun part.. wood! This build will feature an East Indian Rosewood fretboard on a maple neck, with a 2-piece chambered Alder body for weight reduction.

Fretboard and Neck:
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Milling the body and top:
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After milling it is blank glue up time
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Now on to chambering and final blank glue-up. I chamber on the CNC with indexing pins so that after I glue the top on I assure myself of perfect alignment when cutting the rest of the body. I then use a vacuum bag for the top glue up and I’m ready for the full body.
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Now let’s check out the body being cut:
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Once I have the body ready it’s off to the spindle sander to clean up the outer edge before roundovers.

I also do any drilling at this stage:
-Neck ferrules
-Cable routes
-Bridge ground
-Strap buttons
-Pickup screw threaded inserts
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After sanding the body to 320, I have been using Solarez UV sealer to grain fill and seal. I’m very happy with this products performance right now for from a grain filling perspective (no shrinking) as well as cure time.
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I block sand the sealer with 400 grit, and usually apply 2 coats to Alder. The product sands beautifully when cured for 2-3 minutes in direct sunlight (plenty here in Florida).

After sealing I did a quick test fit of electronics. One time I got bit by bad drawings on pickup dimensions, so I’m a bit wary.
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You can see the socket cap screws I use along with the threaded inserts.
 
After sanding the body to 320, I have been using Solarez UV sealer to grain fill and seal. I’m very happy with this products performance right now for from a grain filling perspective (no shrinking) as well as cure time.
View attachment 4343209

I block sand the sealer with 400 grit, and usually apply 2 coats to Alder. The product sands beautifully when cured for 2-3 minutes in direct sunlight (plenty here in Florida).

After sealing I did a quick test fit of electronics. One time I got bit by bad drawings on pickup dimensions, so I’m a bit wary. View attachment 4343211
View attachment 4343212

You can see the socket cap screws I use along with the threaded inserts.
I dig it
 
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Now it’s time for finishing the body. I’ve been using PPG base and clear coats lately with great results.

My finishing schedule looks like this for a solid painted body:
-Spray Primer, let dry for 30 mins -1hour
-Inspect Primer for any surface flaws, sand to 600
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-Next day, spray 2-3 coats of Base (color) coat, 8 mins apart
-Let base sit for 45 minutes
-Spray 4-5 coats of clear (slow hardener) 8 minutes apart. First coat light/medium, remaining coats medium/full
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After 6 hours I’m ready to buff/polish:
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Now for the neck/fretboard:

This board will have a 10-14” radius with block inlays and Luminlay side dots.
Here is the board on the CNC after radius:
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Here are the neck and fretboard ready for CF rod install and sanding:
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I had to custom order a 22” truss rod for this one, as a standard 24” was too long and 18” (guitar size) was too short. It was a little pricey but immaculate quality. I may build my own one day, but I am content to buy it for now.

Here is the side dot install. I use a fence in combination with a flat milled board to get the dots aligned perfectly. I used to do this by hand but I don’t trust it :)
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I then glue the fretboard/neck with my vacuum bag and a caul, and we are ready for fretting.
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After the frets are leveled and polished, we are hitting the home stretch!

Here is a look at the polished frets and luminlay:
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Now we are really getting close. Time for shielding and final setup. I use copper foil for shielding, and run a ground lead from each pickup cavity to the control cavity.
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Another cool finishing touch I have been doing is an anodized aluminum “Certificate of Authenticity” laser engraved with the specific model and owners name:
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Finally, some finished product shots! This bass sounds amazing to me, one of my favorite combos. The P pickup nails the P vibe, while the bridge soap bar compliments it well with a bit of refinement and high mids. These pickups are Aguilar DCBs.

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And last but not least, a picture of the bass ready to ship! I have been trying new packaging lately, and I am really happy with the Firm Foam I have been using from Foam Factory. I am working with them now to get some water-jet cut foam based on my supplied drawings, hopefully the final price is do-able.
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