Hello everyone, glad to talk to you all here. 
I am an amateur bassist, playing only for small gigs, but recently auditioned for a quite big local rock band accepted. The only electric bass(and maybe instrument) i had is a hofner icon bass, shortscale, hollowbody. With the stuff that my new band is playing, like Audioslave, Foo Fighters, Kings Of Leon, most of the rock stuffs, i'm afraid i can't cut trough the mix well enough. I'm afraid to not to be heard. And incidentally, 2 days before I posted this, i had a motorcycle accident after a rehearsal, i was okay, but not my hofner.
It loses its headstock!
How you'd supposed to do with that? It's not repairable!
Then, i decided it's the time for the to purchased a new bass..
Link Removed
I decided to build an EB-3 copy. Yeah, i'll have to admit i want it because i like Jack Bruce playing. It just look very cool you know. For me i think it's very different to look, a people with a p bass or j, with comparison people with short scale, or sg bass spesifically.
But... then I read some posts in music forums.. so do Talkbass too...
that a short scale lacks in depth, low end, and tone. I supposed with my Hofner it's not like that because it's hollowbody, gives you warmth, and with flats. But with a solid body bass, will it be too twangy?
I am a small guy, i don't know how to tell it in feet, but maybe my height is 169 cm. I have quite a big hand in palm but my finger is short. I can't stand a long scale, even a jazz bass with that thin neck.
So, my head is fulled with these thoughts, my version of solution(wow, rhyme...) to get my future bass gets a good tone, low end, clarity not muddy, and also important, cutting through enough against neoclassical metal style shredding and crazy drumming. Let me hear your opinion about it.
The Solutions....
1. Use a flatwound string. I used it in my destroyed Hofner
, but will it cut through? Or should i get a bright flats, Steve Harris type?
2. Use a thick neck, p bass like, but still with shorter scale. Because i heard Ed Friedland said, "big necks equal big tone"
3. Use a long neck, maybe until 24 fret, and have a big and long body, so the tension will be just the same with the long scale one. Well, i'm not to confident with having a long body.
4. Use an active onboard preamp, so I can cut the treble and high mids, and boost bass and low mids.
5. Use standard string spacing, not narrow one like most of the short scale.
6. Just gave up on all the idea, and build a long scale instead and get used to, or not playing music anymore..
I really appreciate all response, because it kind of hard to me to think it for my self, you know. Thanks a lot.
I am an amateur bassist, playing only for small gigs, but recently auditioned for a quite big local rock band accepted. The only electric bass(and maybe instrument) i had is a hofner icon bass, shortscale, hollowbody. With the stuff that my new band is playing, like Audioslave, Foo Fighters, Kings Of Leon, most of the rock stuffs, i'm afraid i can't cut trough the mix well enough. I'm afraid to not to be heard. And incidentally, 2 days before I posted this, i had a motorcycle accident after a rehearsal, i was okay, but not my hofner.
How you'd supposed to do with that? It's not repairable!Then, i decided it's the time for the to purchased a new bass..
Link Removed
I decided to build an EB-3 copy. Yeah, i'll have to admit i want it because i like Jack Bruce playing. It just look very cool you know. For me i think it's very different to look, a people with a p bass or j, with comparison people with short scale, or sg bass spesifically.
But... then I read some posts in music forums.. so do Talkbass too...
I am a small guy, i don't know how to tell it in feet, but maybe my height is 169 cm. I have quite a big hand in palm but my finger is short. I can't stand a long scale, even a jazz bass with that thin neck.
So, my head is fulled with these thoughts, my version of solution(wow, rhyme...) to get my future bass gets a good tone, low end, clarity not muddy, and also important, cutting through enough against neoclassical metal style shredding and crazy drumming. Let me hear your opinion about it.
The Solutions....
1. Use a flatwound string. I used it in my destroyed Hofner
, but will it cut through? Or should i get a bright flats, Steve Harris type?2. Use a thick neck, p bass like, but still with shorter scale. Because i heard Ed Friedland said, "big necks equal big tone"
3. Use a long neck, maybe until 24 fret, and have a big and long body, so the tension will be just the same with the long scale one. Well, i'm not to confident with having a long body.
4. Use an active onboard preamp, so I can cut the treble and high mids, and boost bass and low mids.
5. Use standard string spacing, not narrow one like most of the short scale.
6. Just gave up on all the idea, and build a long scale instead and get used to, or not playing music anymore..
I really appreciate all response, because it kind of hard to me to think it for my self, you know. Thanks a lot.
