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I don't think .105 is thick enough for C; a minimum .120 is recommended. So, maybe 55-120, 60-125 or 65-130, depending on how tight you want them.What's the best way (or less destructive) to get to c-standard? 130-65 and go up, or 105-50 and go down? Modern metal darkglass tone with 70% root banging and 30% melodic
Yeah I remember being in a drop c band years ago and using a "E" string set and HATING. It did however make me get off my ass and learn 5 stringI don't think .105 is thick enough for C; a minimum .120 is recommended. So, maybe 55-120, 60-125 or 65-130, depending on how tight you want them.
Can you (or do you already) use stainless steel rounds? DR DDT are designed with extra thick core wires for down-tuning, and I've used the 45-105 set for the D-standard tuning with good results. Maybe you can try either the 50-110 or the 55-115 to see how they are in C-standard.Yeah I remember being in a drop c band years ago and using a "E" string set and HATING. It did however make me get off my ass and learn 5 string![]()
As others are essentially saying, most players wouldn’t want either of these sets for CFA#D#. Choosing between Beefy and Regular Ernie Ball Slinky sets, by chance? If so, consider the Power Slinky set (.110/.090/.075/.055). Most players will still find that .110 a bit wobbly at C1, but they’re your best bet among packaged sets of Slinkies. I have a friend who plays doom in this tuning with these strings, using a pick up by the neck.What's the best way (or less destructive) to get to c-standard? 130-65 and go up, or 105-50 and go down? Modern metal darkglass tone with 70% root banging and 30% melodic
I'm really not that fussy with brands but I do tend to use the yellow slinks..Can you (or do you already) use stainless steel rounds? DR DDT are designed with extra thick core wires for down-tuning, and I've used the 45-105 set for the D-standard tuning with good results. Maybe you can try either the 50-110 or the 55-115 to see how they are in C-standard.
Yeah I've used beefy for BEAD pretty religiously to decent results but didn't know if Cstandard was a stretch so-to-speak for em..As others are essentially saying, most players wouldn’t want either of these sets for CFA#D#. Choosing between Beefy and Regular Ernie Ball Slinky sets, by chance? If so, consider the Power Slinky set (.110/.090/.075/.055). Most players will still find that .110 a bit wobbly at C1, but they’re your best bet among packaged sets of Slinkies. I have a friend who plays doom in this tuning with these strings, using a pick up by the neck.
I happily used Slinkies for years but decided to give Dunlop’s Standard Series a shot when I saw they had a .120/.100/.080/.060 set, and I now use that set for my fretted four-string basses tuned BEAD. I think most players would find this set perfect for CFA#D#; I like somewhat lower tension/stiffness/et cetera. I don’t notice much difference between the stainless and nickel-plated-steel sets in the Standard Series, but the Super Brights are very different and probably best avoided in these circumstances.
34 not string thruWhat's the scale length of your instrument?
For modern metal, I'd get 65-130 gauge strings and go up half a step. I once had a bass tuned to C Standard and I had DR DDTs (65-125 gauge) on it. The tension was pretty good for C Standard, so those would be my recommendation. I would only recommend down tuning a 50-105 (or similar) set if you were playing doom metal or another genre where you want looser strings.What's the best way (or less destructive) to get to c-standard? 130-65 and go up, or 105-50 and go down? Modern metal darkglass tone with 70% root banging and 30% melodic