I’m just not claiming to be an exoert. But I have done a few thousand sessionswell then, OK. thanks!![]()
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I’m just not claiming to be an exoert. But I have done a few thousand sessionswell then, OK. thanks!![]()
I totally forgot about that. Good point.You'll probably get a lot of noise with a standard electrical wire. An instrument cable is constructed with shielding in mind.
Yeah...reading all of that makes me not believe anything they say.Link Removed
"Studio Pro 1000features Monster'stop cable technologies including 3-way BandwidthBalanced® construction,patented MicroFiber® dielectric and Time Correct®multiple gauge high,mid and low frequency wire networks"
The part about high, mid, and low frequency wire networks is bull, but they might have something with that MicroFiber® dielectric.
I totally forgot about that. Good point.
I've been using the same pair of original style monster 500 series cables (12ft & 21ft) for live use for 20 odd years now. Never a problem for what it's worth.Yeah...reading all of that makes me not believe anything they say.
Why do they make the oversized plugs though?
I have never had any of my monster cables go bad. But I didn’t use the Studio Pro 1000 live. I think I got that cable around 2001.
I made my Mogami cables around 1995 and used them on the road a lot. None of them have gone bad.
That is a great idea! I will try that. If I dont forget, I mean. I should have some coax cables around. But if not, they are hell cheap.

Yep. Nothing better than adding more noise to make up for bad cables.Or you could use the volume and EQ knobs.![]()