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Calling all Dingwallies... come help a fellow man make a preamp decision.

I just bought a Dingwall Super J5 and I'm pretty much in love. I'll get all the usual Dingwally stuff out the way quickly and just say I'm stunned by the craftmanship, the feel, the playability, the tone, and the head-turning looks. Thing is it's a passive bass which I bought second hand to dodge the 6-month build time on a new model as I'm going back abroad to work soon and need a 5-string for the job, otherwise, had I had more time, and had patience been a virtue with which I was more abundantly born, I expect I would have opted for the active/passive model. So I'm considering picking up either an Audere or, much more likely, a J-Retro (unfortunately not the Deluxe as my bass has a front mounted jack). I'm pretty sure that with the variable midrange and the pup blend, not to mention the rest, it would give me ample tone options (I do like my mids so the variable sweep is very appealing), but does anyone reckon I'd be getting more tone options by just keeping the Dingwall's passive control suite with it's fantastic 4-way rotary pickup selector? I'm fairly easy on the active/passive debate so that's not toooo much of a factor. Anyone's 2 cents are welcome here. I'm just curious if people think it's sacrilege to rip out that rotary knob in favour of a variable mid sweeper? Is it worth it? I mean two of the settings on the rotary are for the solo'd pups anyway, and the other two are both pups in different configurations, all of which a J-Retro can do, plus a variable midrange sweeper. I suppose really I'm asking if anyone can think of an argument NOT to do it.

One more thing... does anyone know whether the J-Retro would work with my pickups in series or parallel? I'm hoping it's series because in a mix I can't really hear too much difference between the parallel and neck pickup settings, so the J-Retro would get a similar sound to the parallel mode by just rolling the blend right onto the neck pickup right?

Thanks for reading this slightly ranty post, and thanks anyone who is kind enough to offer their opinion and any advice.
 
I did something similar on my AB2, replacing the rotary pickup selector and Agulilar OBP1 preamp with a custom John East preamp with two independent sweepable mids (different but overlapping frequency ranges).

Yeah I thought long and hard before modding one of Sheldon's creations, but I really needed some sort of mid-boost EQ for live performances, and (unlike many of the DW-nuts here I don't use the two pickups connected in series). So I lost that capability, but gained the ability to blend the pickups and gained all kinds of EQ options that the Aguilar preamp (with its functions being bass-boost and treble-boost) gave me.

Good luck.
 
Sheldon, thanks for clearing up my query about series mode on the preamps. And Franco, your post reminds me how important my mids are to me, so I'm gonna try playing closer to the bridge pickup when I'm looking for that tighter sound and see how that me for a bit. Right now I think I'm gonna go ahead with the swap, but I'm gonna be prudent and only do it after I've gigged the bass passive for the rest of the year to see how it goes, then if it ain't broke don't fix it! I haven't played passive for about seven or eight years and I reckon I need to get used to it for a while before I start messing with such a flawless bass that may well not need it.

Thanks both for your feedback. And Sheldon, thanks for making this bass, it's giving me more musical joy and enthusiasm than I've had in years. Suddenly I wanna practice constantly just for the pleasure of sounding that good, not just to do what my job requires me to. Respect!

Dan
 
You could do the stock glock preamp that they use now and keep the 'active/passive treble in one knob' kinda thing. I prefer the tone from the Aguilar pre over the Glock one, though, especially for the Super J series. Have you asked Sheldon if he could sell you a fully wired Dingy pre of your choice?