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Chris Squire sound from a pedal?

D

Deleted member 165050

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I want my Wal fretless with flats to turn into Chris Squire's Ric at the press of a footswitch... any neat little box out there that will do this?
 
You need rounds and frets for that sounds, yet, that's not enough. I get a sounds similar to a "Ric-O" using the Two notes LeBass in "cold fusion" mode, blending a clean/Dirty that run parallel. Having a dry/wet setup (two rigs) works better but requires hauling two freakin rigs.
 
Not sure about Squire exactly, but if you want clank and buzz, the dreaded EHX Steel Leather will do it. Widely despised around here, but I love mine. Certainly not an always on pedal, and a little goes a long way. Cheap too.

As a Ric owner who upgraded his 4003 for maximum clank, I agree with this.(70's repro pickups, 10meg bridge vol pot, no-load tone pots, brass nut, brass bridge)

I've built/owned a few rock maple-bodied basses, and found that the thinner and more resonant a hard-wooded bass is, the more upper-mid metallic clank you can get.
The brief time I owned a Steel Leather, I found by adding a little effect(the secret with this pedal to it sounding natural) you can get close to that metallic edge.
 
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Yes - round wounds, frets, a pick and a Ric.

In addition, you'll need at least a couple of amps (for Ric-O-Sound) and one set of speakers with upper mids and highs -- and another with sold, extended lows.

I saw Chris a few months before he died and his collection of speakers onstage was gargantuan. You can't get that sound out of a single system or an effects pedal.
 
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I don't think any of the shhit mentioned itt this matters; I think his right hand technique is what mattered

You have to do borderline pinch harmonics on every note to get that super overtone-y sound, and once you can riff with that technique you can dial in your mid highs and highs to accentuate it accordingly
 
Whaddaya need a pedal for?

First, get a bass with frets.
Second, string it with roundwounds, preferably stainless.
Third, set it up with minimal neck relief and low action.
Fourth, dig in hard, and pluck down on the strings (rather than across). If you use a pick, come down on the stings.
Fifth, jack the treble on your bass and amp until you get enough.

Done.
 
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