I bought my DB303T Hybrid new in 2001 for around $2400 bucks with a pickup and it's been my workhorse ever since. They really are SOLID FREAKIN' basses and I've put mine through hell as a student at Berklee, a solider musician in the army band, and now a student again at UNT, and the bass has held up well.
I will agree with everything that's been said here, cosmetically and tonally.
Mine has a shiny finish that I absolutely hate, but that is strictly cosmetic. Also, I remember there also being a weird finish on the back up the neck that I had a luthier sand off to increase playability. Conversely, mine also has some very beautiful flamed laminate covering the ply that people always comment on. It's a nice touch and it almost makes up for the blindingly bright shine that radiates from the bass.
As for the tonal characteristics, this bass sounds as bright as it looks under stage lights. I use mine for both jazz and classical, and it sounds pretty decent in a jazz setting with really mellow, dead, dark sounding strings on it. Dead Spiros or Velvets tame the overtones a bit, in a good way.
With new strings that are bright, I get a lot of overtones rather than a deep rich fundamental, so it's not that flattering a tone for classical solo bass pieces, but it can sound pretty nice in the right player's hands. It's when I'm playing beside 20-150 year old "mature" basses set up strictly for classical w/ arco strings that my classical tone is noticeably lacking in nuance, depth, and the bass sounds crappy in comparison. But for around 2.5k, it's a great value and gets the job done on both sides of the house.