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michael_atw said:Just so long as this "church music" isn't rock and roll..
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On the back of The Disciples first album he's credited with this photo of him and his signature bass.
The Godlyke Deity 10-string with an Eden amplifier.
Although I like 4 string as well, a good 5 string jazz type is better overall. Lakland Skyline Joe Osborne 5 is a good choice, Fender 5 strings have too fat of necks (IMHO-had one). The reason is that some of the newer songs are in Ab, Eb, etc. and it is easier to adjust to these keys on a 5. Moreover; if you ever get a Worship pastor that likes to change keys on the fly (all he/she has to do is change their capo) because of the singer/s, it will also be quicker to comply. Also, a Rosewood fretboard (less harsh than maple) is best overall in case one day you go to in ear monitors. Jazzes fit into different music styles better than any other bass-that is why so many companies copy it.
michael_atw said:The kind that's played in the church! Durp durp![]()
Everything mentioned above can fit; the key is "fit." The bass, the system you plug into and your playing style have to fit with the rest of the musicians. Our regular bassist brings whatever he feels like on Sundays - yes, he has more than one bass - and he still fits and he still sounds good. Understand, at the various churches I attend or visit the bass tends to be the dominant instrument in the music section by design so you'll see a lot of different instruments but mostly active 5-string basses to hit those reverse turnarounds and bottom-dwelling runs.
Honestly, it matters a lot more how you play than what you play. A lot of the P&W and Christian Rock that you hear today you can use most any bass, but typically you will find Stingrays, Precision Basses, Jazz Basses, etc. When you start moving towards Urban Gospel, you get into Ken Smiths, MTD, 5 String Fender Jazz's, etc...