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Confessions of a flatwound convert pt 2.

I've always had more trouble getting tone I like out of J Basses for some reason. The exception is when I use my EBS 212 Proline cab vs my Ampeg 212 AV (with either the Ampeg 100 Watt V4 AV or the V4BH). The EBS seems bigger and more full/even across the frequencies, whereas the Ampeg cab scooped out some of the mids. (Which ones, I'm trying to figure out.) Both J basses currently have GHS Precision Flats which help fullness and eliminate an upper nasally thing that goes on and the Ampeg accentuates. The EBS allowed me to use TIs which sounded great. The Ampeg is a no go with the TIs on a Jazz for me.

Which leads to another point. Some may have tried flats and did't like them and concluded they are not a good option for them. Given the same setup that may be true, but with a different amp and definitely a different cab they may in fact love flats in some applications more than they think. As a result, flats should not be ruled out forever. With my Ampeg cab, my Pbasses wear TIs, Roto flats, or GHS pressure wounds, EB Cobalt Flats. With the EBS, GHS Boomers sound fantastic--which after going mostly flat over the years I didn't think I'd ever put rounds back on a Pbass. So, cabs can certainly affect tone and how we perceive the usefulness of a string. No news flash there I know.
 
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It's all about personal preference and what works best for the individual player. For me, there are applications where the flat wound work best, and where round wound work best. Mainly for recording. The unique character of both round and flat fit well in the mix for specific music styles. And it's fun to experiment. With that said, the round wounds are more diverse as they cover a wider dynamic range of frequency. But the flats have smoothness that has less string noise which makes for easier recording.

Nevertheless, each has their own unique sound when it comes to slap, muting, thumb, finger style, and pick. There are no limitations on what flats or rounds can do.
 
Oh, yeah...
TIs on G&L M2000 and L-1500 fretless, Peavey Foundation 5, 68 Fender P
GHS on 2 x Peavey Foundation 4 (Fretted, Fretless), Peavey Fury, G&L SB-2
Labella DTB on Guild B302
Chromes on 71 Guild Starfire II
After reading through this nearly decade long set of threads, I put a set of Chrome flats on my P bass. Really great sound through the GK amps with Lindy Fralin pickups.

Does anyone know which flat sets would fit on a 35" scale bass? I need lower tension on that bass so would like to try TIs, but don't know if they are long enough. Any advice would be greatlyrics appreciated.
 
After reading through this nearly decade long set of threads, I put a set of Chrome flats on my P bass. Really great sound through the GK amps with Lindy Fralin pickups.

Does anyone know which flat sets would fit on a 35" scale bass? I need lower tension on that bass so would like to try TIs, but don't know if they are long enough. Any advice would be greatlyrics appreciated.

Jason at bassstringsonline.com has all that sort of info and I'm sure would be glad to help. [All I have are 34's.]
 
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Chromes .105-.050 on my American Fender Precision. LaBella .105-.045 DTB flats on my 50's Classic Fender Precision. I've moved other sets of flats through them both, but these seem to do the trick for now.
Hello, sir, when you moved from rounds to flats, did you have problems with the neck relief or you just put them on without any neck adjustments? Thank you very much.
 
Hello, sir, when you moved from rounds to flats, did you have problems with the neck relief or you just put them on without any neck adjustments? Thank you very much.
Sometimes...but just a little.
I only play the rounds while in the store. For me, the purchase of a bass includes a set of flats to take home with me. I change them as soon as I get in the door at home.
Any time I buy a bass, I examine its set up and adjust where necessary. A new type/gauge of string will require an examination of neck relief at the very least. It takes five minutes to examine and adjust.
I will say that the change from the rounds to flats required no, to minimal adjustments as the relief was well done at the factory. More of a "tweak" for personal taste.
 
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Sometimes...but just a little.
I only play the rounds while in the store. For me, the purchase of a bass includes a set of flats to take home with me. I change them as soon as I get in the door at home.
Any time I buy a bass, I examine its set up and adjust where necessary. A new type/gauge of string will require an examination of neck relief at the very least. It takes five minutes to examine and adjust.
I will say that the change from the rounds to flats required no, to minimal adjustments as the relief was well done at the factory. More of a "tweak" for personal taste.

Thank you very much, I haven't used flats for decades and forgot what they feel like today. I got the Fender Chromes .50 -..105...I hope the tension is minimal. Anyway, I will just put them on and see for myself. I just want to go back to the early John Paul Jones feel. Cheers everyone!
 
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Earlier this year, I was determined to overcome my flatwound addiction for good. So, I decided to go cold turkey and managed to stay sober for almost six months.

Sadly, as of yesterday, I'm back in my old habit again - my old Fender 9050CL is back on my J! Sigh... :sorry:

Glad to hear you're back walking in the light. You're a heck of a man to last that long, but it was only a matter of time!
(Please change your avatar--that makes my hand hurt! Hope you are doing well.)
 
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