Having a bar owner suggest a band take less pay because it is a 3-piece is incredibly stupid. That just really takes the cake.
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
A bar is hiring a band, not a specific number of players. A 3 piece band is doing the same job as a 10 piece band. I recently had another musician who books outdoor shows try to pull the I pay for the number of players nonsense and I said no way. Plus, we are one of the most well respected headlining bands and were voted the best band in the region - and we are 3 piece. I always respond with this question. Does that mean if hire 7 more guys to play the show that you will pay us as a 10 piece band? That always shuts them up.
If the bar hires a construction crew to do some remodeling work and they are quoted a set price, they would pay the same if the crew had 3 guys or 10 guys to complete the required job.
I think as a 3 piece can work just fine but you, of course, ARE limiting the songs that you will be able to pull off. As far as needing a 2nd guitar, that--again--limits, IMHO, the types of songs you can pull off.The only disadvantages to having a three piece cover band would be the lack of a second guitar player to fill out the empty sound while the lead guitar is soloing...

In my three piece cover band I love the fact that I can play as many notes as I want to on the bass and throw in chords and arpeggios and other wankery. What would be considered overplaying with two guitars is now necessary to cover the rhythm section. And all three of us sing.
Quagmire show with me "overplaying". (shameless band promotion)
I think as a 3 piece can work just fine but you, of course, ARE limiting the songs that you will be able to pull off. As far as needing a 2nd guitar, that--again--limits, IMHO, the types of songs you can pull off.
This is irrelevant: (but) if you were going to add another player to the group later, my STRONG recommendation is that you would add a keyboard player rather than another guitar. A keyboardist is often overlooked or underrated; however, it's a MUCH more powerful position to add than another guitar.
I think it depends on your gigs. If you do weddings and corporate gigs, and they see a 3-guy band show up, they may feel short-changed.
...if you were going to add another player to the group later, my STRONG recommendation is that you would add a keyboard player rather than another guitar. I'm not talking about a piano or someone covering organ parts. I'm talking about a player with a synth/workstation MIDI set up who can bring a whole UNIVERSE of sounds into the mix.
IMHO, guitarists are overrated.![]()
Personally, if I hire a band for one of my daughters' wedding, I would expect at least 5 or 6 fellows to show up.
Then of course you have the 3-piece bands where it's drums/vox, guitar/vox and keyboard/vox with the keyboard player playing bass on the left hand. Yuck.
+1 billion. I was a keyboardist in a blues based rock band for awhile. I tried to stay out of the way but it was a learned skill. It's way too easy to walk on the bassist. For me, I found it easiest to simply say (to myself) if I'm going to play anything low, it will be long, drawn out chords so that the bass can still be heard (e.g. string pads and the like). For the most part, I stayed out of the lower range and left that to the bassist. It wasn't hard for me because I played 2 keyboards simultaneously so I was on the upper register with both hands. Generally, I think the keys work better if they are playing in the midrange and upper range. Most keyboardists, like me, came from studying piano. So we're trained to play the whole song ourselves on the keyboard. You can't do that in a band. You have to stay in your lane. To be sure, keyboards should be played as a supporting instrument, IMHO. Fatten up the sound with some barely noticable pads or some tasty chords. For the most part, I preferred to let the guitarist (and bassist) play notes while I stayed on chords--except for my obligatory nightly solo. If you have to play notes and arpeggios, do it in a sound that has pretty much NO sustain (like a piano, organ, or similar sound). Sounds boring but it ain't. You can sound kick a** on keys using some tasty chords and exciting sounds!Very true... which is why you need to be very very careful in selecting a keyboardist. They can totally take over a band and make things miserable for you as a bassist. In principle, a keyboardist is almost always preferable to a 2nd guitarist but there are a lot of very mediocre to bad keyboardists out there who would make you wish you were still a 3-piece after about 15 minutes of playing. Tread carefully there.
Then of course you have the 3-piece bands where it's drums/vox, guitar/vox and keyboard/vox with the keyboard player playing bass on the left hand. Yuck.
+1 billion. I was a keyboardist in a blues based rock band for awhile. I tried to stay out of the way but it was a learned skill. It's way too easy to walk on the bassist. For me, I found it easiest to simply say (to myself) if I'm going to play anything low, it will be long, drawn out chords so that the bass can still be heard (e.g. string pads and the like). For the most part, I stayed out of the lower range and left that to the bassist. It wasn't hard for me because I played 2 keyboards simultaneously so I was on the upper register with both hands. Generally, I think the keys work better if they are playing in the midrange and upper range. Most keyboardists, like me, came from studying piano. So we're trained to play the whole song ourselves on the keyboard. You can't do that in a band. You have to stay in your lane. To be sure, keyboards should be played as a supporting instrument, IMHO. Fatten up the sound with some barely noticable pads or some tasty chords. For the most part, I preferred to let the guitarist (and bassist) play notes while I stayed on chords--except for my obligatory nightly solo. If you have to play notes and arpeggios, do it in a sound that has pretty much NO sustain (like a piano, organ, or similar sound). Sounds boring but it ain't. You can sound kick a** on keys using some tasty chords and exciting sounds!
But Jaywa's right. Keyboards are a HUGE instrument (sonically) so you need to be careful about hiring a keyboardist--or he'll bury you in the mix.
I have played in several very successful 3 piece bands over the years and my current one just reached our 600th gig and 8th anniversary. Success depends on many factors for any band but being 3 piece means you have to work hard, pick the right songs, create a full and tight sound, and play and sing well. My band has 3 lead singers, which really helps and we cover 6 decades worth of material. Many times, people are surprised at some of the tunes we do as a 3 piece band but they work for us.
There have been numerous well known 3 piece bands or bands with 3 musicians and a lead singer that made it big. Here are a few.
Cream
Buddy Holly and The Crickets
Jimi Hendrix Experience
Emerson, Lake and Palmer
Glass Harp
Led Zeppelin
The Who
ZZ Top
Motorhead
Rush
U2
Mahogany Rush
Pat Travers Band
Green Day
Blink 182
The Police
The Outfield
Poison
Motley Crue
Van Halen
Stevie Ray Vaughan and Double Trouble
Grand Funk Railroad
The James Gang
Los Lonely Boys
John Mayer Trio
Kings X
Beck, Bogert, and Appice
Hot Tuna
Triumph
Robin Trower Band
Johnny Winters Progressive Blues Experiment
Cactus
Nirvana
Blue Cheer
Stone Temple Pilots
Creed
Budgie
Primus
Zebra
FM
Klaatu
That seems a little closed/narrow minded coming from a musician. Wouldn't you just want a good band - be it 3 piece or 10.