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Beauty is in the eye of the beholder; just 'cause youse likes it, don't meen da Opie do.
I considered this idea, but I don’t want to increase the distance from the strings since the thumb will sit in an extra “spacer”. But it is fine, really. Like I said, no problem with drilling holes. The question is purely “what sucks less aesthetically?”Just spitballing ... You could try a thin piece of wood, resting on the top edge of both pickups.
The idea idea of a round surface might be interesting. Do you have any examples I can look at? Although I believe what’s more jarring aesthetically is that straight line from pickup to pickup. That is the shape that needs to be broken I think.Here you go, Ebonite rod. flatten one side and put a step in it where it meets the pickguard. Snuggle it right up next to the pickup and screw it in place. You can square it up if you don;t like the idea of a round thumb rest. Google
What Sissy is saying is that it is a very subjective thing. And I would agree.What??![]()
Seriously??!What Sissy is saying is that it is a very subjective thing. And I would agree.![]()
Just spitballing ... You could try a thin piece of wood, resting on the top edge of both pickups. Cut a step to go over the pickguard. Then use double-stick tape (the 3M super thin) to hold it to the body. Being that it will be sitting on top of the pickups, double-stick tape should hold it tight, and you won't have to drill the body.
Nah, just kidding. Ramps are objectivelySeriously??!![]()
. I’m gonna start with that and lucite. I’m also talking to a 3D printer guy to see if we can develop something ala ZeroMod by taking advantage of the only screw on the pick guard between the two pickups.Get the same looking wood as the bass. Finish the part over ther pickguard to be black. Don’t make it too tall.
I don’t get you guys. What kind of suggestion is “learn to play without a thunb rest” or “go 5 strings” or “use a pick”?Another vote for learning to play without the aid of a thumb rest. [...] go 5-string.
But I avoid the whole issue by playing with a pick.
I’m not loving that, but it is an interesting take. A way not to hide it but more to integrate it with what’s on the bass. That’s why I was looking for examples of people using hardware with the same aesthetic of the bridge, control plate or something like that. Couldn’t find any however.I use a strap button.
Dude, I got your point, and I believe that you think you can achieve that.I personally like to rest my thumb, but I can also dig in just as hard without resting my thumb because I have practiced doing so.
The problem is only that you use your thumb to stop your plucking finger at the end of its travel. That's your technique deficiency, not the thumb rest. You can continue to use a thumb rest and I hope you find one that looks good on your bass to you. But I recommend that you try strengthening your plucking fingers by using the muscles of your plucking finger to stop its motion rather than relying on your thumb, which is costing you time and energy, decreasing your available dynamics, and keeping your plucking fingers from developing strength and speed.
I would if it were relevant to the topic, but thank you.This is the point. This is what you need to pay attention to.
Sorry my reply upset you.I don’t get you guys. What kind of suggestion is “learn to play without a thunb rest” or “go 5 strings” or “use a pick”?
Nothing against 5 five strings or picks (I do use them). It is a matter of tone. I don’t know how many people giving these suggestions care that much about tone, but I do and so do the people I play for.
I could simply slap my way through this with no need for a thumb rest, but that is not the point. I am looking for a specific tone from this specific bass and that tone can only be achieved by playing finger style in between the two pickups, digging in. There is no way to do this by floating the thumb. I don’t buy the “technique deficiency” argument. Some of the most technically advanced bass players in the world use a ramp, and it is not for a technique deficiency. Also, I am no better than them, so no point in me trying to surpass them. I don’t have enough lifetimes.![]()
Not at all, and I wasn't trying to offend you either. Sorry if it came across that way.Again, sorry my post offended.
If I could remove it without damaging the bass, you could have the long thumb rest on my Godin A5.Not at all, and I wasn't trying to offend you either. Sorry if it came across that way.
My question was not rhetorical, it was more like "was it not clear from my first post that I have no interest in any suggestion that is not strictly related to the look of the thumb rest?" Cause it could be that maybe my post was simply not clear and I should edit it.
I know everyone here has their own technique, their way to play bass, their philosophy, and so on. I respect all of that, I'm not crapping on any of it. But again, I've been playing for 18 years now and I have pretty much seen and tried it all.
To put it simply: there is no doubt that in a couple of days there will be a thumb rest drilled in my bass, so my topic wasn't meant as a poll on whether or not I should do it. I am going to do it. All I'm asking is for suggestions to make it look as little ugly as possible.![]()
Nah, just kidding. Ramps are objectively.
I’m gonna start with that and lucite. I’m also talking to a 3D printer guy to see if we can develop something ala ZeroMod by taking advantage of the only screw on the pick guard between the two pickups.
![]()
I don’t get you guys. What kind of suggestion is “learn to play without a thunb rest” or “go 5 strings” or “use a pick”?
Nothing against 5 five strings or picks (I do use them). It is a matter of tone. I don’t know how many people giving these suggestions care that much about tone, but I do and so do the people I play for.
I could simply slap my way through this with no need for a thumb rest, but that is not the point. I am looking for a specific tone from this specific bass and that tone can only be achieved by playing finger style in between the two pickups, digging in. There is no way to do this by floating the thumb. I don’t buy the “technique deficiency” argument. Some of the most technically advanced bass players in the world use a ramp, and it is not for a technique deficiency. Also, I am no better than them, so no point in me trying to surpass them. I don’t have enough lifetimes.
I’m not loving that, but it is an interesting take. A way not to hide it but more to integrate it with what’s on the bass. That’s why I was looking for examples of people using hardware with the same aesthetic of the bridge, control plate or something like that. Couldn’t find any however.
How many people actually play bass without anchoring their thumb somewhere - that is, they play with their hand floating in free air, with only the plucking fingers touching the strings? Are you advocating for a classical guitar-type technique? If you have a special technique, fine, but calling the technique that most bassists use a 'deficiency' is quite a stretch. I have come across 'floating-thumb' purists regularly, but this is a step beyond...I understand what you're saying, but my point is that you don't need to rest your thumb at all to play a Flea baseline, and you don't need to rest your thumb at all to sound like Duck Dun. You can pluck anywhere on the strings from bridge to the nut, but none of the locations that you choose require you to rest your thumb.
You only require a thumb rest because you don't know how to play what you want without it. Not because it is impossible to play what you want without resting your thumb.
There are people who can play the way you want to sound without resting their thumb. You just float your hand where you need it to be and practice. You don't need something to stop your plucking finger, relying on something being there to stop your finger from moving is a technique deficiency. Being unable to get whatever tone you want without resting your thumb is a technique deficiency.