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Yes, to me the 40-95 set is more balanced in both tone and tension.
I've done that but honestly, it doesn't make a whole lot of difference. For some reason, the .95 E sounds more like the rest of the set...to me.The factory set (ECB80) is 40-60-75-95. For the best balance, I would go with 40-55-75-95.
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The factory set (ECB80) is 40-60-75-95. For the best balance, I would go with 40-55-75-95.
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When I was usuing Chromes, that's exactly what I did, and they were a great improvement. I always disliked how tight the D string was in all the D'addario sets I used to use until they came out with balanced tension rounds, and I applied that logic to Chromes and put together a couple sets of 40-55-75-95, and no more overly tight D strings!The factory set (ECB80) is 40-60-75-95. For the best balance, I would go with 40-55-75-95.
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When I was usuing Chromes, that's exactly what I did, and they were a great improvement. I always disliked how tight the D string was in all the D'addario sets I used to use until they came out with balanced tension rounds, and I applied that logic to Chromes and put together a couple sets of 40-55-75-95, and no more overly tight D strings!
The next step up in balanced tension Chromes is a big one, feelwise...45-60-80-105.
Yes, that's why I gravitated toward the 40-95 set...feels close to my Dunlop SBN 45-105 set, tension-wise.I am contemplating trying a set of chromes (first time with flats for me) on my Squier P-bass. I am pretty new to bass playing and all I know, strings-wise, is that the nickel-plated steel Dunlop roundwounds, .045-.105, that I have on it now feel okay to me, tension-wise, and I Iike the sound of them a lot better now that they are several years old and kind of dead.
I can't find a tension chart for the Dunlop strings to compare, but I keep reading that flats often feel tighter than rounds in the same gauges. As a ballpark guess, would a .040-.095 set of chromes be likely to feel like similar tension to a set of .045-.105 rounds? Or .045-.100?
Muchas Gracias...
This one?I just found this Sweetwater demo of the 40-95s. The guy, who is a really good player, is slapping them on a active Fodera and they sound very much like roundwounds. The Marcus Miller sound but with Flats. Is that even possible? What are your experiences?