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Double Bass DB forum "what books are you reading" thread

I read it. I dug it. Some of it was silly but some of it was deep. 'You cannot create Music any more than you can create a child." Words to live by; I hear echoes of Gibran (which is high praise in my world).

As for the reference to Castaneda, Jake, based on my very limited exposure to neo-shamanistic 'literature' I would expect much more that VLW has tapped into the neo-shamanistic stew than that he consciously set out to poach from Castaneda. Personally Castaneda was apparently an outside character. As far as we can tell, VLW is a lot more regular -- for example, he seems to only have one wife at a time . . .

And yeah, Chris, none of that stuff rocked my world as hard as William Gibson. Or Kahlil Gibran.

Gotta work.

I didn't mean to imply that Wooten deliberately plagiarized from Casteneda but the similarities are undeniable.

And what the hell does Casteneda's personal life have to do with anything? I thought we were talking about books... :(
 
I had the same reaction to "Lesson" as Jake. Background: I did the whole sixties and seventies trip with mysticism and esoterica and Leary-esque experiements. I read my Castenada. That stuff was part of my formation -- that's my background.

With "Lesson" I read eagerly, with an open mind, but it was an exercise of increasing disappointment. The thing actually offended me when Victor's teacher claimed he could pick out the musical vibes coming off a stack of CDs, no listening required. Look: there's mysticism. There's allegory. And then there's fairy tale. That book's utility to me stopped at exactly that point.
 
I had the same reaction to "Lesson" as Jake. Background: I did the whole sixties and seventies trip with mysticism and esoterica and Leary-esque experiements. I read my Castenada. That stuff was part of my formation -- that's my background.

With "Lesson" I read eagerly, with an open mind, but it was an exercise of increasing disappointment. The thing actually offended me when Victor's teacher claimed he could pick out the musical vibes coming off a stack of CDs, no listening required. Look: there's mysticism. There's allegory. And then there's fairy tale. That book's utility to me stopped at exactly that point.

Similar journey Damon, similar end! :D
 
Next up: "Harmonic experience" by Mathieu, W. A..

excellent! ( i've heard him in concert several times btw, and his music does sound like the convergence of two waterways)

based on my very limited exposure to neo-shamanistic 'literature' I would expect much more that VLW has tapped into the neo-shamanistic stew than that he consciously set out to poach from Castaneda. Personally Castaneda was apparently an outside character. As far as we can tell, VLW is a lot more regular -- for example, he seems to only have one wife at a time . . .

the big difference between Castaneda and VLW's work is that the former is based in gaining personal power through sorcery, force, and the distortion of reality, and the latter would be based in affirming the creative ability/possibilty that is inherent through self and kinesthetic experience/awareness, imo. i enjoyed Victors book immensely

Currently plowing through The Rise and Fall of the Third Reich. How's that for a change in tone?

handle with care......

i'm sure it's already been mentioned, but i'm enjoying "The Man Who Mistook His Wife For a Hat" , Oliver Sacks
 
I had the pleasure recently of attending a reading by Paul Harding, the author of Tinkers. The book starts with a man on his deathbed in his last days. The story floats back and forth from the man, a tinker, to his father, who was also a tinker. Despite the death scenario, the story is balanced with lighthearted interludes. It's a character driven story, very poetic and rhythmic. Harding was/is a drummer, and his writing has a certain form and rhythm that seems very musical.

I'm also enjoying Mindset, which proffers the premise that there are two attitudes about learning: a fixed mindset and a growth mindset. Fixed mindset people say that "you either got it or you don't," or "he's really talented at playing the bass. It comes easily." Growth mindset people always see the possibility for improvement, and often surpass the "naturally talented" in ability. Author Carol Dweck uses examples from quite a few musicians, as well as from business workers/managers, teachers/students, athletes.

In a similar vein, I'd like to give big props to our own Adrian Cho, who has written a fantastic book: The Jazz Process: Collaboration, Innovation and Agility. Maybe this book has already been discussed here. (Disclaimer: I wrote the foreword, but don't let that stop you from enjoying the book!)

Adrian compares the techniques of high performance musicians, military units, businesspeople and athletes/teams. He distills common characteristics of high-performance teams (like a great jazz band) and describes in detail the characteristics that make the team tick.
 
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I like the sound of "Tinkers" from one of the reviews I just read:

So who should read this excellent novel? Here you will find no explosions, no cosmic battles, no schools of magic, nobody scurrying about to solve cryptic ciphers. The cast of characters is small but deep; there's no major whodunit here. This is a family saga as told through the final, disjointed memories of a family patriarch in Maine.

I'm so sick of all of the things described above that are not in this book that I'll definitely have to give it a try.

And I definitely want to check out Adrian's book - it sounds very interesting. The older I get, the more I realize that what makes a great group isn't just great players, but good players with an intent to understand how to work together and make that into music. Go Adrian!
 
Adrian's book sounds very cool indeed. I work in HR and that whole topic of groups and group performance is of huge interest. The "jazz group" is pretty much a perfect model of a lithe, fast-reacting, high-performance team. So I'm happy to hear about a new take on all that. (BTW Adrian, I know you couldn't believe I wanted your cheaper bow but believe me, it still suits this ham-hand mighty fine. Thanks again!)

I just finished The Chitlin' Circuit and the Road to Rock 'n' Roll, by Preston Lauterbach. Very interesting. It's not so much a musical history as it is a socio-economic one. As a winter-ey northerner from another time and place, I learned a lot. (By the same token, though, I can't tell how much I learned is due to my distance or Lauterbach's insight.) Lauterbach covers a stretch of time from about the mid-30's to 1970, focusing mostly on the 40's and 50's. He has you following the stories of a fairly small group of influential entrepreneurs and promoters and musicians and bootleggers and numbers game operators and all that what-have-you of a gallery of characters. He talks about the social conditions, economic opportunities and technological capabilities that made this live performance circuit possible and made it evolve. Finally he shows you how the whole thing morphs into 50's rock 'n' roll and the taking-off of the record business. It's based on a ton of research. I could have wished for a little more structure in its thesis and presentation, but that's a quibble. A good read for those into history.
 
nd.
The thing actually offended me when Victor's teacher claimed he could pick out the musical vibes coming off a stack of CDs, no listening required. Look: there's mysticism. There's allegory. And then there's fairy tale. That book's utility to me stopped at exactly that point.

I think the best teachers go out of their way to be sure that you don't follow their every move blindly, without compromising their integrity in the process. It's a sideways challenge to the student to find their own method and sound, and listen to their own voice.
 
"Inside Out" by Barry Eisler (spy/black ops fiction) all of his stuff is a great guilty pleasure.

"Uncle Tom's Cabin" by Harriot Beacher Stowe - book club book, picked up a nice used hardback, but haven't started it yet.

various technical manuals....blah
 
I ordered Zen in the Art of Archery recently and just got it in the mail today--I had an interesting revelation about my bass playing. Curiously, during gym class last year when I did archery, I experienced that "not-doing" feeling. I hope to apply that to music and many other things I do.

I have to thank TBDB for introducing me to the book.
 
Just finished War and Peace and went directly onto Anna Karenina. I read at a snails pace so this will keep me busy for some time.

Other recent books have been:
A Farewell to Arms
For Whom the Bell Tolls
Lord Jim
Heart of Darkness
Twilight of the Super Heros
A Movable Feast

I started Light in August for the third time and fail again. For some reason Faulkner doesn't agree with me.

Non Fiction:
A People's History of the United States
Confessions of an Economic Hit Man
Medical Apartied

I also read hundreds of trashy detective novels out loud to a blind man. Does that count? Probably not.
 
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