Early on, I used ghost notes consciously and unconsciously. Now, it's something I try to avoid unless it's a similar to a funk tune whereby the ghost note is a specific part of the bass line. I don't use it to time keep. The fact that I was doing it was pointed out to me (unconscious..
) by an instructor who is a Berklee graduate who studied under Charlie Haden and Ray Brown.
When I play in a band, silence is as important as generating sound, whether articulated notes or ghost notes. The ghost notes become distracting and in some cases risk being rude (stepping on someone else's part). Imagine if the guitarist in the band played ghost notes everywhere possible to keep time. Yuck! I think it's the same way for bass playing, drumming, etc. Respecting (and enjoying) the musical space between the instruments and themselves and between the instruments and the vocals makes for a much more dynamic and interesting piece of music; and still funky as hell!
When I wanted to change the way I was playing, I found it difficult not to use the ghost notes, because it had became a second nature habit. But it the effort paid off and I know that I'm a better bass player and musician for it.
When I play in a band, silence is as important as generating sound, whether articulated notes or ghost notes. The ghost notes become distracting and in some cases risk being rude (stepping on someone else's part). Imagine if the guitarist in the band played ghost notes everywhere possible to keep time. Yuck! I think it's the same way for bass playing, drumming, etc. Respecting (and enjoying) the musical space between the instruments and themselves and between the instruments and the vocals makes for a much more dynamic and interesting piece of music; and still funky as hell!
When I wanted to change the way I was playing, I found it difficult not to use the ghost notes, because it had became a second nature habit. But it the effort paid off and I know that I'm a better bass player and musician for it.