I'm afraid I don't use hex core strings anymore. There may be exceptions, but I find them stiff and even more important, prone to inharmonicity, which makes sense given the hex core. Stiffness and inharmonicity go together in my book. Play on the E string (even worse, a B string) up 3 or four frets past the octave, and the note just sounds out of tune with itself.
So I played Sunbeams for a while, but I play a lot of fretless, and I've adopted a style with a lot of position shifts (I don't have hugely long fingers), and I just can't handle the string noise of the position shifts anymore. Not to mention the fingerboard wear on fretless.
So between the string noise and fingerboard abuse of round wounds, I now use Thomastik Jazz Flats. They are impressive in terms of brightness and flexibility for a flat wound. Most of the time I'm pretty happy with them. And they last forever with periodic cleaning in an alcohol bath.
But every now and then, I'd like to get a sound closer to round wounds. The obvious solution seems to be a pressure wound or ground wound string over a round core. But I haven't found anyone who makes one. Do these strings exist and are they any good?
So I played Sunbeams for a while, but I play a lot of fretless, and I've adopted a style with a lot of position shifts (I don't have hugely long fingers), and I just can't handle the string noise of the position shifts anymore. Not to mention the fingerboard wear on fretless.
So between the string noise and fingerboard abuse of round wounds, I now use Thomastik Jazz Flats. They are impressive in terms of brightness and flexibility for a flat wound. Most of the time I'm pretty happy with them. And they last forever with periodic cleaning in an alcohol bath.
But every now and then, I'd like to get a sound closer to round wounds. The obvious solution seems to be a pressure wound or ground wound string over a round core. But I haven't found anyone who makes one. Do these strings exist and are they any good?