• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Does fretboard wood make a consistent difference in tone that you can hear?

I can hear a consistent difference between fretboard materials

  • Yes

    Votes: 183 41.5%
  • No

    Votes: 181 41.0%
  • Highly figured birdseye quartersawn carrotwood

    Votes: 77 17.5%

  • Total voters
    441
"
Does fretboard wood make a consistent difference in tone that you can hear?"

No. People hear what they want to hear. When they see ebony fretboard they instantly think : "Oh, it must be bridght !" and so on ...
Want proof ? Do a blind test. Everyone will fail, I assure you.

Now for me - I would prefer stronger wood for fretboard just for stability. So Ebony or maple for me. But Chechen on my 4003 looks badass !
 
It's obviously an old and tired question

Hi Gorn :)

Regarding CITES, fretboard materials have to be discussed! :thumbsup:
(and "Zombie threads" won 't help :D)

Will we choose by "looks only" or by "ear"?
Or will we just take materials, that are hard enough,
so they don' t suffer, when we play rounds on our fretless basses?

And who can resist to vote on a poll, that has such a great.....
"Highly figured birdseye quartersawn carrotwood" option :roflmao:

greetings

Wise(b)ass
 
I believe the well known master luthiers who say it matters. Especially since I have never heard such a person say the opposite. Might be some who do, i haven’t seen it.

Some have said, in response to this logic, “that’s just marketing, they all do it to sell instruments”.

But it seems implausible that so many otherwise honest and reputable luthiers would all collude to keep a lie alive.

That said, none of the above constitutes proof. But that line of thinking, plus my own observations, put me in the “does affect it” camp.
 
A few years back I changed the neck on my P Bass from rosewood to maple. A few weeks later I decided to swap the necks back and forth and record so I could appreciate the difference in tone. After listening to both of them back to back, there was zero difference between the two.
 
I left out "don't know what they're talking about" or "are delusional" because that doesn't seem valid if we're talking about world-class, highly-regarded master luthiers at the top of their game.
There's also "wrong." Experts with the best intentions and decades of experience can still be wrong. That applies to any subject.