Long time Fender freak, new appreciator of the Classic. I always associated the Ray with that clanky, scooped thing. I got the 4-string for a specific project (wanted that sound, and the utter whiteness fit in perfectly with the Wham!/Miami Vice-era gig), and then a funny thing happened while I was slowly getting around to selling it: I found that it was remarkably responsive to variation in tone based on plucking position and the settings of those two simple controls. (Controls which had at first given me consternation. “But…but…how do I know when I’m flat? You mean I have to use my ears??”)
I found that it sits in certain songs in a wonderful way. A way that I love. Bedrock depth in the low notes, and this cool nasal snarl up the neck.
Anyway. When I decided I should have a 5-string in the closet, there was really no question where to turn. That one is the Tony Levin-inspired “Sledge” special color (which I acquired sans COA, unfortunately) and it’s heavier than I’d prefer, but does the job, and Tony is one of my inspirations, so yeah. And maybe an 11 lb. bass can take you places that a 10 lb. cannot.*
Cobalt flats on both. Till death do us part.
Intellectually, I went for the Classic for the traditional Alnico and 2-band thing, but now I’ve fallen in love with this thing’s tones, and I will never stray. And that is my StingRay story.
* (Yeah—to the chiropractor’s office.)