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EBMM StingRay Special Club

I'm way to lazy to deal with periodically fine sanding the neck, applying a coat of oil, and a coat of wax (and all my instruments pre-date the whole satin finish / unfinished M.O.), so I just stick to gloss lacquered necks, and a rag.

But those unfinished necks do feel amazing, when properly maintained.

Like I've already mentioned here and in other threads, there's absolutely no need for that if you take your time to do it once for good - meaning - sealing the neck with Tru Oil. I also like a bit more protection on my necks with lacquer and some sort of hard finish, so I added 10 layers of Birchwood Casey Tru Oil on my Stingray neck. Do a coat or 2 max per day, and the Tru Oil (which is a varnish) will harden and provide a nice smooth feel. Especially after you add a coat of Gunstock Wax once you're done with Tru Oil. Build up as many coats of Tru Oil as you want. Satin? No problem. Glossy? Build em up! Neck doesn't get dirty now, and NO sanding thank you very much.
 
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Owners of HHs seem more touchy on the subject than owners of Hs I have noticed. I think HH owners want a Swiss Army knife and H owners want a specific tone and the two ideologies clash.

They absolutely do. Heck I've been put on ignore by a couple of em because I've dared to say to another TBer to pick whichever he likes and gave my opinion on both and why I prefer a single H. Jeesh..
 
I take back not liking Labella Flats on my SRS 5HH. I admittedly forgot to change the pickup height. Once I did they sounded great. I still prefer rounds if it's my only bass. (which it is) Guess I'll need two Stingray Special 5s now. One with rounds, one with flats. Dang!... gotta do what I gotta do. Maybe a Stingray Classic this time.
Also as I find the strings I like and tweak the setup, everything is starting to settle in and it's playing very nice. I'm loving this bass more and more.

As far as H vs HH goes: I really like the series setting on the 5H and I do tend to use position 1, straight up Stingray the most on my HH. I'll boost mid and bass a little. But, I do like position 3 and 4 as well from time to time and if I'm walking to Jazz standards I like position 5 with my hand on the neck. I just love options and that's just me. Whatever you choose though, cool. Can't go wrong. It's a Stingray!
 
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I've been shopping around for a Special, and finally got to try a couple the other day. A couple of observations:
  • I first tried a Jet Black 4 H. Wow! That thing was light as a feather, the neck felt perfect, and it was so fun to play. I almost forgot that I was trying out a guitar in a shop, and just got lost in playing. Fretting was good up and down the neck, and the EQ is killer.
  • I then tried a Dropped Copper 4 HH. That one was nice too, and I like the color a lot, but I was less crazy about the neck. I know the Jet Black has an ebony fretboard and the Dropped Copper has roasted maple, but the finish on the back of the necks felt different too. The Dropped Copper felt a bit rougher, for lack of a better word. It wasn't as smooth or pleasant to play. I would have liked this bass just fine if I picked it up first, but this particular one was noticeably different than the Jet Black that I tried.
And now a couple of questions:
  • The clerk said that the necks felt different because they were finished differently by EBMM. Is that actually true? They sure felt different, but everything on EBMM's website makes it sound like they all have the same necks/finishes, just with different fretboards.
  • I've been assuming this whole time that I'll get the HH. More pickups = more options/variety, right? But when I picked up the HH, my first thought was "I wish that pickup selector switch wasn't there". Then I started playing. I don't slap a whole lot, but the H definitely felt cleaner and easier to access when I did. This will be my first Stingray and my nicest bass, so I'd love some input. Do you folks with an H find yourself wanting a second pickup? I'm finding myself leaning towards H now instead of HH, but don't want to regret it later when you can have both for an extra $100.
Thanks for your thoughts!
I'm a sucker for the classics, P bass..Jazz bass, and Stingray 4H.
 
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Fret noise: I've been at least for now been talked into that it's the nature of SS frets to be noisier especially given my digging in style. So, I've changed the strings and set it back up and will run it at rehearsal Tuesday, and report back. But I play a really bright bass as my main, gloss maple board L2K, that makes lots less noise. If I get rattle thru my amp with the Ray, that will be my deciding factor.
 
I'm a believer in going for the bass in your hand that you connect with. A roasted neck ebony fretboard 4H is sweet; the one that speaks to you is sweetest.

I just read through the subsequent posts on H versus HH. I have a 5HH and it makes me happy; I almost always use the in-between positions.

But if you liked the sounds you got from the 4H and its overall feel, heck, grab the one that sparked you. No regrets.
Exactly this !!
 
She's here!
View attachment 3401217

I've only played it a few minutes, but I'm already smitten. I realized that, although 18 years later than when I bought my original SR5H, THIS is the one I've wanted all along... black hardware, sparkle finish, 18v electronics, and lightweight. I'm still not used to the light weight, at all. My SR5 is probably 10-11 lbs, so picking this up feels almost comical. Reeeally can't wait to gig it this weekend. So far, EBMM knocked it out of the park!
WHOA! That is a LOOKER!
 
Just arrived today!

Got a STEAL on Reverb from NateWins!

I have a feeling this one is going to get A LOT of stage time!
 

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The wife is away today so I've really had some time to explore the tonal possibilities of my SRS 5HH. I mainly play Blues/Classic R&B/Southern Rock/Blue Grass/Classic Country. Think Allman Bros., Gov't Mule, Tedeschi Trucks Band, Marcus King Band, Skynyrd Etc. Sometimes at Jazz jams to keep me sharp. Anyways, after the right string gauges and some tweaking, I have the string height pretty dang low like I like it. (Actually, I told Mike Lull's shop, as low as they can get the strings. I was pretty disappointed with what they came up with. I did it myself and got it much lower without buzz.) There isn't only the Stingray sound in here but lots of great classic sounds as well. Love it!
 
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