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Enough with the Auto-Tune already!

Coutts_is_god said:
Come on what do we use preamps for? To better our tone. Perhaps sometimes even fixing out pitch at times. Everyone is guilty of this crime.
So I say "Thy who is with out sin, cast the first note"
Umm...what? You know, I'm not QUITE sure, but I don't think anyone is condemming the use of an EQ. There's a difference between boosting the lows and making every note on pitch. Also, I'm very, very curious how one might correct their pitch with a preamp? You must be using one hell of a piece of machinery, 'cause my amps sure as heck don't have this function.
 
Actually, the Antares plug-in doesn't "auto-tune" by itself . . . it has to be adjusted (in real time) to get decent sounding, "transparent" automatic tuning of vocals . . . but it's NOT the "state of the art" as far as plug-ins for vocal "pitch correction" is concerned, not in 2008.

The Melodyne plug-in has been popular for several years, and it's what I have been using for more than a year. It also requires A LOT of editing (within the plug-in) to realize the maximum transparency with even smallish pitch "corrections".

IMO the operator/engineer MUST be trained as a musician AND producer . . .
 
No... it's a vocoder - you obviously don't know what one is.

From Mark Taylor, one of the producers of "Believe"

You can check it here:
http://www.soundonsound.com/sos/feb99/articles/tracks661.htm
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I was revisiting this old thread because I'd wondered if there had ever been a discussion about auto-tune abuse (let's face it, things have only gotten worse)...and came upon this particular post with a link to an informative article about Cher's use of a vocoder....except, something NEW has been added to the article.

First, I'm shocked that the article is still around.
But I'm even more shocked that someone actually went back and set the record straight.
 
I've recorded many many albums. Auto Tune isn't the only thing fooling everybody. There's a program called Beat Detective that fixes bad drumming, there's a program that will tune a single string that's a bit off in a guitar chord (or change it from major to minor or whatever). Vocal parts, guitar parts... almost everything is edited together from multiple takes and punch-ins.

Recordings haven't been an accurate representation of a live performance ever since the first day someone figured out you could fix a mistake.

I hate the overuse of Auto Tune too. I'm not defending it. I'm just saying that the whole process has become getting the "perfect" performance and Auto Tune is just one more tool to do that. The human voice is so full of nuance that it's harder to hide when it's manipulated.
 
I've recorded many many albums. Auto Tune isn't the only thing fooling everybody. There's a program called Beat Detective that fixes bad drumming, there's a program that will tune a single string that's a bit off in a guitar chord (or change it from major to minor or whatever). Vocal parts, guitar parts... almost everything is edited together from multiple takes and punch-ins.

Recordings haven't been an accurate representation of a live performance ever since the first day someone figured out you could fix a mistake.

I hate the overuse of Auto Tune too. I'm not defending it. I'm just saying that the whole process has become getting the "perfect" performance and Auto Tune is just one more tool to do that. The human voice is so full of nuance that it's harder to hide when it's manipulated.

I can agree with you on this, as my roommate is sitting at the house editing the vocals on a band's record. This is all after recording the guitars direct in, and miced up. Sound replacing the drums, and running the bass direct in. Everything was run through plugins, punched in multiple times, overdubbed, and made to sound as full as possible.

Welcome to the world of pop music everyone. His records sound great, and most of the bands he records will never sound any better than he makes them sound.