Just curious if anyone out there feels the same, or it's just my limited experience.
I much prefer the sound of my dead LaBella 760's when recording or practicing by myself. These sound great live also when playing old school soul, R&B etc. which has "room" for bass, especially when I can use my own equipment. However, I've noticed when playing live denser music live (rock with two distorted guitars, or one distorted guitar and a prominent keyboard, it's much trickier to EQ these "into range" than roundwound nickels (or even steels). Enough so that when I head out to a fly gig where I have an unknown backline and I can't even really take my pedal board, I tend to choose a bass with round wounds. Not an issue though if I can bring my own amp etc.
Is this just my lack of experience with playing out with flats with this type of music or do any of you find this as well? And if you do, are there any tricks? I was using rounds (the inevitable Rotosound Swing Bass) for almost 35 years before I started with flats.
I much prefer the sound of my dead LaBella 760's when recording or practicing by myself. These sound great live also when playing old school soul, R&B etc. which has "room" for bass, especially when I can use my own equipment. However, I've noticed when playing live denser music live (rock with two distorted guitars, or one distorted guitar and a prominent keyboard, it's much trickier to EQ these "into range" than roundwound nickels (or even steels). Enough so that when I head out to a fly gig where I have an unknown backline and I can't even really take my pedal board, I tend to choose a bass with round wounds. Not an issue though if I can bring my own amp etc.
Is this just my lack of experience with playing out with flats with this type of music or do any of you find this as well? And if you do, are there any tricks? I was using rounds (the inevitable Rotosound Swing Bass) for almost 35 years before I started with flats.