• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Fender Mustang Club

Not sure if you are asking for a number, but I wouldn't presume to give you one if it's not wanted. Just let me know!

That said...

I love seeing your P and Mustang side by side! Since recovering from the left hand problem that prompted me to get my Mustang, I have reverted to my '73 P for most of my playing as it remains, for me, just the most comfortable in my hands and warmest to my ears after all these years. HOWEVER (brace yourselves - I'm bored, and rambled on for awhile below - apologies in advance)...

I still use both my Mustang and Ernie Ball MM Sterling for very specific circumstances:

- I use the Mustang when I want to travel light, or play standing up for an extended period. 8.5lb vs 11.5lb hanging on my 70-year-old shoulder for 2-3 hours is no contest. Plus, with its upgraded pups (fralin) and blend knob, I can make Mustang Molly produce very close to any sound achievable with passive electronics, including the P. It takes a lighter touch and some adjustment in the left hand, but I've found that about 10-15 minutes of warmup gets me scaled down to its size.

- I use the Sterling when I play with a big band (if that ever happens again! So tired of the covid-craziness). The flexibility of its active 3-band EQ, plus series/series single coil/"phantom coil"parallel switch gives me a quick, easy way to go from smooth mellow to aggressive to very aggressive when I need to make my presence known to a hard-blowing horn section, using tone rather than volume. I realize I might be able to do this with either the P or the Mustang, but I'm lazy, and besides, if the horns are blowing that inconsiderately, they don't deserve the subtle warmth of the P, or the sweet tone of the Mustang. The excellent drummer I play with in the big band prefers the Sterling - she calls it "the Enforcer."

I should also say that these days I play mostly just jazz - standards in small groups and big band stuff. Originally a string bass player, I picked up a BG in the army and later played rock and R&B for several years, but those days are behind me. I love reading TB and learning about all the stuff bassists are doing with BGs and uprights these days, and still try to listen to everything from metal to R&B to gypsy to street jazz and everything in between.

I especially love hearing all the women who've picked up the bass and learned to love it. In my early days there was only one (Carol Kaye, and the only way I knew she existed was because I bought her book with my first BG). Here's one I tripped over just the other day - Magalí Datzira is her name, I believe, playing the URB. It's a well-known jazz standard, so I apologize if it's not to everyone's taste, but I feel safe in directing the attention of any bass player to her playing - and especially to the JOY she brings to the instrument and group. Very inspiring, even for a jaded old geezer like me.



Lotta young folks in that band - they're from Barcelona. The BL is Joan Chamorro, well known in Europe with his work with young folks in the Sant Andreu Academy Band. He normally also plays URB, but is playing bari sax in this group. Well worth checking out their other recordings on YT.

Best to all you corral-bound Mustangers, and to the end of this covid-craziness. I miss playing with other people, and know many of you do too. This too shall pass.

Flo


Nice! A buddy of mine just did an album with Joel.
 
  • Like
Reactions: Florinda4
I'm a fiend for the Mustang body shape, on the bass side mine's a JMJ Mustang, just about perfect for me right out of the box. Only mods were Multi-locker straplock/screw on cap buttons from Rockinger, a rewire to add a second cap value via push pull, & a bone nut from my luthier friend.

The bass:
t6zqhoa.jpg

The nut:
icQNUy6.jpg

Electronics:
3Xh08oI.jpg

Went ahead & shielded the cavities & guard while I was doing the rewire:
gBBiJO6.jpg

The stock Fender flats are a bit high tension/stiff feeling to me, but I love the tones.

Things will have to get pretty desparate for me to let go of this one.
 
Last edited:
Nice! A buddy of mine just did an album with Joel.

Cool! Chamorro always has a ringer or two like Frahm sitting in with his groups. The youngsters vary somewhat in skill level, but what I really like is how Chamorro drives/encourages them to play their very best and enjoy the experience. In this performance, while his bari sax playing isn't near the level of his guest star (imho), Chamorro's clearly having a literal blast trying, and showing the young players it's not a competition - it's just plain fun to step up and BLOW!

The young lady on trumpet and vocals - Andrea Motis - is a case in point. She started on trumpet at around age 7 or 8, and by 12 was playing/singing in Chamorro's groups. She's 25 now, a star in Spain in her own right. And her younger sister Carla isn't far behind her on jazz guitar.
 
  • Like
Reactions: OtherLisa
Just received this majestic piece of bassy goodness. My first "real" Fender, my first short scale and my first P-pickup only bass. Can I get a number?

View attachment 3873388
Fanstanstic, a Vintera, isn' it? I have the same and absolutely love it!
I have had both a Japanese Mustang Bass and a JMJ, and the Vintera is my favorite out of the three.

Mine has saddles with the groove in the center though, and the strings don't align as well. Seems to be the same issue/confusion as with some current JMJs, Fender Germany won't replace mine though. I'll have to try again and send them your pic! :)
 
  • Like
Reactions: And I
@mihu Yup it's a Vintera. Hope you can get them to make yours correct! Mine seems to be really well made. Just played it for like 5 mins (now back to work). Needs a little bit of setup work and probably different strings but so far, it's exactly what I thought it would be.
 
  • Like
Reactions: dmt
@Florinda4 I can hardly judge anyone for a bit of a ramble! Mine was a ramble preamble to some rambles I've self-indulged in on here before.

This new Mustang is feeling nice enough that it may be my primary bass for a good while, esp as I work thru left hand problems of my own. There's a 4-string 34" with active EMGs around here that I'd grab for some really aggressive sounds, or if I need 24 frets (hey, it happens), but that's nothing I need to worry about anytime soon. & actually, the Mustang PJ with fresh strings has the best slap tone of anything in the stable. Who knew?

In the meantime, I'll gladly take a number if there's any spare ones on hand!

Esta muy linda!

FWIW, I like the Hipshots (Ultralights) I recently put on my SG bass - they have a good gear ratio and a reassuringly solid feel to them, all while being very light.

Don’t take this as a fact (please double check for yourself), but my old notes say that Gotoh GB350 Res-O-Lites fit the Mustang (but not sure about your model! - there’s lots of different model Mustangs, and they are made in a variety of countries) and that they are even lighter than Hipshot Ultralights.

Enjoy that new bass :thumbsup:

So far so good! For mods, I'm going to need a bridge pickup that doesn't hum, so will be investigating that while checking out different wiring schemes. In the meantime, though, I just ordered a Kickass bridge in nickel... and am guessing if I want the finish to match, I'd better do Hipshot tuners in nickel, too. First I'll check the balance with the new bridge, then decide which tuners, I'm thinking.

And this may be the perfect time to invest in some nut files and try cutting myself a new one. Just details to tighten up but I'm feeling good about this new babe!
 
I'm a fiend for the Mustang body shape, on the bass side mine's a JMJ Mustang, just about perfect for me right out of the box. Only mods were Multi-locker straplock/screw on cap buttons from Rockinger, a rewire to add a second cap value via push pull, & a bone nut from my luthier friend.

The bass:
View attachment 3873446
The nut:
View attachment 3873447
Electronics:
View attachment 3873448
Went ahead & shielded the cavities & guard while I was doing the rewire:
View attachment 3873449
The stock Fender flats are a bit high tension/stiff feeling to me, but I love the tones.

Things will have to get pretty desparate for me to let go of this one.
What does the different cap value give you tone/playing-wise? Also, what values did you go with?

Nice job on the cavity shielding - I’m always a big fan of that. Bone nut, too - always a nice touch :thumbsup:
 
What does the different cap value give you tone/playing-wise? Also, what values did you go with?

Nice job on the cavity shielding - I’m always a big fan of that. Bone nut, too - always a nice touch :thumbsup:
Thanks!

I used 0.1uF & 0.05uF caps. As far as practical effect, the 0.1uF cap starts the roll off of highs at a lower frequency than the 0.05uF one. It's not a super mind blowing change but it's useful sometimes.
 
  • Like
Reactions: dmt
L
Thanks!

I used 0.1uF & 0.05uF caps. As far as practical effect, the 0.1uF cap starts the roll off of highs at a lower frequency than the 0.05uF one. It's not a super mind blowing change but it's useful sometimes.

Okay, so you pull the knob and it gives you, in effect, a bit of a brighter pickup to work with? A way to get a bit more tonal variety out of a one pickup guitar...cool.

Is there overlap in their tonal ranges (can you achieve some of the same exact tones by putting the tone knob at, say 25% (or whatever) back with one cap and then, after switching caps, rolling the tone knob to a different setting?
 
Okay, so you pull the knob and it gives you, in effect, a bit of a brighter pickup to work with? A way to get a bit more tonal variety out of a one pickup guitar...cool.

Is there overlap in their tonal ranges (can you achieve some of the same exact tones by putting the tone knob at, say 25% (or whatever) back with one cap and then, after switching caps, rolling the tone knob to a different setting?
Basically, yeah. The selected cap is only rolling off highs in relation to the pot's position so w/ the tone dimed it makes no difference which one is selected. There's some overlap effectively, primarily it allows for a bit more drastic roll off w/ the .1 cap than the .05.
 
  • Like
Reactions: dmt
@Florinda4 I can hardly judge anyone for a bit of a ramble! Mine was a ramble preamble to some rambles I've self-indulged in on here before.

This new Mustang is feeling nice enough that it may be my primary bass for a good while, esp as I work thru left hand problems of my own. There's a 4-string 34" with active EMGs around here that I'd grab for some really aggressive sounds, or if I need 24 frets (hey, it happens), but that's nothing I need to worry about anytime soon. & actually, the Mustang PJ with fresh strings has the best slap tone of anything in the stable. Who knew?

In the meantime, I'll gladly take a number if there's any spare ones on hand!

@Real Soon - Always a spare number in the Corral! You are #102. Saddle up and ride!
 
  • Like
Reactions: Real Soon
I really appreciate you getting in touch but I've found one now - good luck selling your bass!

I've sent you a PM as I might be up for selling mine. Now that I have a JMJ it's all I'm really playing now. I'm in a 60s garage band, so having one that looks and feels like it could be from the 60s sealed the deal. I actually think the PJ is more versatile, but in this case the vintage accurate specs wins. And If I ever get another bass, it will be an actual 1960s one.
 
Hey I have 3 P basses essentially, I have a Fender player P with rounds, A Warmoth/MJT build with TI flats and my Birdsong C bass with La Bella flats. I say keep both so you have both sounds. Swapping out strings gets annoying.
 
  • Like
Reactions: Downsman
Glad you found one. I'm actually having second thoughts about selling. I don't need two Mustangs, but they do look good together. And the PJ has rounds on it, and my JMJ has Chromes, so that makes it kind of useful to have around right? :)
Perfectly good reason to have both. I try to explain different string and pickup combos to my wife. She just gives me “the look” In response.