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Fender Rumble Club

I picked this up Wednesday night only three weeks after buying a $2000 custom bass. I went to the guitar store with no intention of buying a bass. I was lusting after an SR1400 and couldn't find one in the online inventory listings at the local shops. They were all marked 0 in stock "Special Order". Cream City had an SR1900 which I knew had the same neck, so I was playing with that one at the store when I spotted this one hanging nearby. It was marked $799 so I assumed it was an SR800. Turns out it was a used SR1400TE with a $170 hard case (they come stock w/bag) and no visible signs of wear anywhere. It looks brand new. I offered them $700 and they took it. It had just come off a trade in from a guy who wanted a single cut Ibby instead.

I threw myself on the mercy of the court as soon as I walked in the door. When I showed her a new one is $1350 plus the case, that did the trick. The old line "I could easily sell it for what I have into it" works well even though you know it will be in your estate when you die.

Hey Joe, (sorry, had to do it) Nice bass. The Fender/SR pairing is a bargain hunters value prop. In both cases, it comes down to individual luck as neither are perfectly consistent on quality, particularly with the controls. I had a wonderful early '90s SR1200 with a birds-eye top with the usual three walnut stringers through the neck along with two more at the edges where the body joined. I gave it to my nephew about a year before getting back into a band. :/ I'm sure there's a stock photo out there somewhere.

I got this pair of 5s last year but flipped the Nordstrand one because I liked what the Barts did in the mix better. The harmonics of the fancier one were a little too out front if you know what I mean. Visually, it's like yours, a beauty. Just goes to show, looks ain't everything.

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SRs.png
 
Interesting. It's my first active bass and I'm still getting to know the controls, so we'll see how it works out. Clearly the original owner didn't care for something as he didn't play it much.

My favorite knobs are the balance and the mids. Bass and treble live within a few degrees of the indent depending on the rig and the room. The voicing switch is awesome because you can toggle to something else that is consistent as quickly as a 1/16 note. Close string spacing (even on your four) and a fast neck make these into bonafide shred-basses. The feathery weight will keep it on your shoulder for hours.

Nothing but good on mine but I've pulled a few down from the rack and find the knobs scraping on the wood or other problems. Granted, a GC Bass-ment isn't the place to find pristine examples. But, much like yourself, the GAS builds up until, BOOM! NBD.

(fixed typo)
 
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OK folks, because of work, I basically live in three homes and spend time at client locations in other cities. I have a v3 40 at one location, a v3 100 at another, and no Rumble at the third location. When I travel, I use a Vox AmPlug or IRig HD through my computer.

I can't cart about a cabinet with me, so I'm thinking about getting a 200 or 500 head—that I could carry with me— and then cabinets at each location. In a year or so, one of the locations will go away, then I would move that cab to be with one of the others. And frankly, for the next year, most of the time I would be practicing with headphones while I'm on the road.

If I do this, I'm thinking maybe 2 115s and a 210 for the cabs, then later when 2 wind up in one place I can decide about 2 115s vs a 115 /210 combination. Also thinking that the 500 is the way to go. Truthfully, right now I don't need more than the 40, but this will probably be the last amp I buy, so I'm thinking "what the heck?" for the price difference go ahead with the 500.

Any comments? — Hey Linnin, when I hear from you, I'll break a Bourbon instead a Scotch!
 
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OK folks, because of work, I basically live in three homes and spend time at client locations in other cities. I have a v3 40 at one location, a v3 100 at another, and no Rumble at the third location. When I travel, I use a Vox AmPlug or IRig HD through my computer.

I can't cart about a cabinet with me, so I'm thinking about getting a 200 or 500 head—that I could carry with me— and then cabinets at each location. In a year or so, one of the locations will go away, then I would move that cab to be with one of the others. And frankly, for the next year, most of the time I would be practicing with headphones while I'm on the road.

If I do this, I'm thinking maybe 2 115s and a 210 for the cabs, then later when 2 wind up in one place I can decide about 2 115s vs a 115 /210 combination. Also thinking that the 500 is the way to go. Truthfully, right now I don't need more than the 40, but this will probably be the last amp I buy, so I'm thinking "what the heck?" for the price difference go ahead with the 500.

Any comments? — Hey Linnin, when I hear from you, I'll break a Bourbon instead a Scotch!
Get the 500. The 200 is no slouch, but it has its limits. The 500 will do any gig.

Don't forget the 112!
 
OK folks, because of work, I basically live in three homes and spend time at client locations in other cities. I have a v3 40 at one location, a v3 100 at another, and no Rumble at the third location. When I travel, I use a Vox AmPlug or IRig HD through my computer.

I can't cart about a cabinet with me, so I'm thinking about getting a 200 or 500 head—that I could carry with me— and then cabinets at each location. In a year or so, one of the locations will go away, then I would move that cab to be with one of the others. And frankly, for the next year, most of the time I would be practicing with headphones while I'm on the road.

If I do this, I'm thinking maybe 2 115s and a 210 for the cabs, then later when 2 wind up in one place I can decide about 2 115s vs a 115 /210 combination. Also thinking that the 500 is the way to go. Truthfully, right now I don't need more than the 40, but this will probably be the last amp I buy, so I'm thinking "what the heck?" for the price difference go ahead with the 500.

Any comments? — Hey Linnin, when I hear from you, I'll break a Bourbon instead a Scotch!
Good problems to have. In your shoes, the most modular system seems best. A pair of matched cabs to spread out with a traveling head and your 40/100 combos as a third rig. I have those combos together and no complaints.
 
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OK folks, because of work, I basically live in three homes and spend time at client locations in other cities. I have a v3 40 at one location, a v3 100 at another, and no Rumble at the third location. When I travel, I use a Vox AmPlug or IRig HD through my computer.

I can't cart about a cabinet with me, so I'm thinking about getting a 200 or 500 head—that I could carry with me— and then cabinets at each location. In a year or so, one of the locations will go away, then I would move that cab to be with one of the others. And frankly, for the next year, most of the time I would be practicing with headphones while I'm on the road.

If I do this, I'm thinking maybe 2 115s and a 210 for the cabs, then later when 2 wind up in one place I can decide about 2 115s vs a 115 /210 combination. Also thinking that the 500 is the way to go. Truthfully, right now I don't need more than the 40, but this will probably be the last amp I buy, so I'm thinking "what the heck?" for the price difference go ahead with the 500.

Any comments? — Hey Linnin, when I hear from you, I'll break a Bourbon instead a Scotch!
Once you have the 500 head, the rest is your choice. I would recommend one of my favorites though, an Hoyo de Monterrey Excalibur. Still one of the finest cigars in the world.
 
So my band opened for a national country group last night. As I was setting up, their bassist ran up and raved about my rumble rig. "Man those things sound awesome!" Just thought I'd share.

Go ahead, name drop!

I was thinking about getting a MIM P and stopped in at Walmart (you know) and the low note zone had been remodeled leaving a row of rumbles in the middle of the room and everything else up against the wall. They also cut it back to just one IEC (power) cable and 1/4" TS. Nobody in there so I snatched a bass off of the wall and plugged in to the familiar R100 and jammed for awhile.

Enter another bassist who grabbed a Jazz and a stool - ripping it acoustic style since I had the wires. I put the P back on the wall and was mulling another since the one had too much relief. I had to get to practice so turned away. The gentleman asked if he could use the amp and I'm like, "I don't work here." He was just being courteous - surprise! So, I got to talk up the Rumble series and may have converted him just on the weight prop. You must share the LUV!
 
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I've got some money burning a hole in my pocket and was looking at new amps. In the last couple of weeks at gigs and an audition I've had players coming up to me saying how awesome my bass is sounding. Looks like I have no reason to throw money away, damn, I'll just stick with my 500 combo. (I play a Sadowsky Metroline UV60, a little bit of compression and the amp pretty flat. Sometimes I add the 115 cab if the room is huge, not often though.)