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Double Bass Fingerboard Thumb Rest

Playing the E string correctly has been a problem for me as well. I seriously never considered adding a rest until I saw this post. Great idea!! I might try this.

If you're new to playing, it could be your technique. Attacking the E string string can be a problem at first. Depending upon the sound I want, I might use a flicking or rolling motion with my hand. And anchoring my hand with the thumb become less important than the weight of my arm.

I think "the rest" would be more helpful when you're digging into the higher strings and have the thumb solidly placed to deliver leverage.
 
If you're new to playing, it could be your technique. Attacking the E string string can be a problem at first. Depending upon the sound I want, I might use a flicking or rolling motion with my hand. And anchoring my hand with the thumb become less important than the weight of my arm.

I think "the rest" would be more helpful when you're digging into the higher strings and have the thumb solidly placed to deliver leverage.

I agree. Call me old-fashioned, but I shy away from such ad hoc re-designs of the instrument. With a conventionally set up DB and good technique, this should really be a non-issue as it has been for scads of players over many decades.
 
I don't see the rest idea as an ad hoc redesign at all. In fact what I am intentionally looking at is the whole pizz technique of thumb/fingerboard relationship. Is the traditional design, shape, width, contour of the fingerboard ideal for a pizz intensive playing style? IMHO these relationships have not been addressed because of tradition. Obviously millions of players are doing just fine w/the current design. I do need better pizz technique, I think that might apply to many of us. I am not out to redesign anything, I am just enjoying the process of tinkering, looking intimately at something that seems obvious and seeing if it really works for me and can I make it better. I should add my day job is a muscular therapist. I deal w/ergonomics, injuries and teaching folks how to use their bodies in a more intentional way. These skills carry over to my approach to bass playing

I agree. Call me old-fashioned, but I shy away from such ad hoc re-designs of the instrument. With a conventionally set up DB and good technique, this should really be a non-issue as it has been for scads of players over many decades.
 
It is very much ad hoc if you consult the true definition of that term. I didn't intend a negative connotation at all. I've taken great pains to point out that such a solution wouldn't be for me, especially because there's no problem that I have to solve with regard to that aspect of pizz. For sure, I could be a better player, but that's something else. I applaud your ingenuity.
 
Drub, thanks for clarifying ad hoc - learn something new every day! I might have to get a patent on the thumb rest call it the Ad Hoc TR! More humor and experimentation is needed. I want to see you DIYers get out your block planes and start making your own and reporting back. they make good kindling if you decide it's not for you