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finish for bird's eye maple

Is the fretboard or the neck birdseye maple? If it's the fretboard, you might consider using a hard finish just because maple will show wear and dirt more than other fretboard woods if it has a soft finish. Otherwise, I second jworrellbass' suggestion for the Danish oil. I also used Teak oil (which is also made by Watco) to finish a guitar recently and I was very happy with the results. The teak oil is designed to penetrate very dense, oily woods a little more easily than danish oil...it worked very well on the rock maple neck I put it on.
 
Thanks guys,

I will be using an ebony fretboard, the neck is BE maple along w/ the body sides. I have used 220 grit and it is BABY SMOOTH!!!!! It was previously finished from the factory and I only have a few finish spots ( no color) that don't seem to come up, but you can't feel them. Will this be okay or do I need to keep on plugging? Any help will be greatly appreeciated. Talkbass has never let me down and I don't anticipate that happening now. So... keep 'em comin' guys!

Thanks

Thumpin_P:bassist:
 
You will want to wipe with a wet cloth and then sand to 320. Apply a light oil or yellow dye for ~5 minutes and then wipe off. This will highlight the the figure and you can then go on to top coat with what ever you prefer.

Here is that process with some flame Maple:

Warlock070.jpg
 
Go to the paint section of Lowe's. You will find 320 and 400 of Norton Ceramic as well as 600 in wet/dry. Beyond 600 you will want to go to the auto section of Wal Mart up to 2000ish. After that, LMII or StewMac foe the MicroMark stuff up to ~20000.

You should also treat yourself to Norton's sanding block while you are there. It's about ~$5 and a great flat sanding pad.
 
I could have sworn it was brubaker, but, my memory is fading with parenthood...if I find it, I'll post it. The body sides are what made me think of it, and the Fleishman is very simmilar(sp). Nonetheless, a very beautiful instrument. Look forward to seeing the completion.
 
I don't know who Brubaker is. The design is inspired by a Fleishman bass. Does it look like I copied somebody? I check out Brubaker's web site, nice stuff. I didn't see anything like that.

Brubaker had a model called the Lexa that had the two curved contours on the top. Yours definitely has the Harry Fleishman Jayne bass (from back in the 80's for people unfamilar with Harry's work) vibe. I had one of his stick basses back then and came very close to getting a Jayne. I think some Ken Lawrences were also influenced by Harry's work.

Nice work.
 
I am refinishing a BC Rich mockingbird circa 1982. I do not want to use a hard finish, but I have been told that clearcoat, laquer, etc... is all that will work on maple. Please help as I am ready to finish this ten year project.:help::help::help::help:

Briwax (bree-wax) gives an excellent satin sheen but I've heard it can be tricky to work with. I have a can sitting here and haven't found the time (or gotten up the nerve I guess ;)) to try it out. Very durable stuff, at least IME with the bass I own that were finished with it (Invalid Link Removed).
 
Waxes and lacquers sit on top. To get figures to pop you must get something that will seep in. The difference of depth in seepage between end grain and face grain exaggerates the figure. A dye or oil will go into the end grain pretty far.

After that, you can top it like any other wood.
 
The more time you spend sanding and finishing the better it will look.

As far as the finish of any figured wood goes the more time you spent with step sanding and finishing the better it looks. It brings the grain alive.

There is such thing as too much. Sanding Sugar Maple beyond 320 will begin to burnish the grain and dull the figure's accent. Many of the woodworkers around here will stop at 220 for figured woods.
 
I am to the point of taking the last of the original sealer ( The clear underneath the red dye) off. It is truly a pain, even with 150 grit. I am afraid of going much coarser as I will lose too much wood getting it back to 220. I am experimenting with different fillers involving shavings from the instrument to fill in mistakes. Any suggestions other than good 'ole wood glue for an adhesive?
 
Are you insane? Talk to any woodworker, you step sand, 220, 320, 400, 600, 1000, 1200, 1500, #0000 steel wool. Or 400 and then micro-mesh. I've worked with plenty of different woods and every one of them always looked best with finer and finer step sanding. In fact the pictures I put up of my bass the grain really popped at the final procees of micro-mesh, 8000 and 12000. If you burning wood you are doing something wrong. Sorry I called you insane. I spend almost as much time on my finish work as I do building them. I can build a bass in 40 hours and then another 30 just finishing and setting them up. The purpose of step sanding is to remove scratches from the previous sandpaper, the finer you go the better it looks.